Gossen MetraWatt lunasix - The Personal Touch

The
Personql
Touch
?9
you
reolly hove
to
expose
very
criticolly
every
time?
There
ore
two
possible
onswers
to
this
question:
(1)
On
block-ond-white
negotive
film
you
will
get good
negotives
olmost
without
exception
ond
without
fuss.
(2)
Reversol
colour
film
is
more
criticol.
Deviotions
from
correct
exposure
will
produce
.
tronsporencies
f hot
ore
either too
light
or too
dork;
you
moy
olso
get
distortion
of colours.
Now,
you
must
remember
thot
lhe
occurote
exposuie
infoimotio-n
which
your
LUNASIX
gives
you
moy
not
even be fully
utilized
becouse
oll
sorts
of
"toleronces"
must
be reckoned
with:
(o)
The
octuol
(b)
The octuol
shutter.
(c)
The actuol
sco
I e.
sensitivity
of o
film moy
difier
from
the
one
indicoted
on the
film
pockoge.
shutter
speeds
of
your
comero
moy
differ from
the
volues
engroved
on ih"
lens
openings
moy
differ
from
the
volues
engroved
on
your
comero
f-stop
(d)
The
film
development
moy
not
olwoys
be
identicol.
(e)
In
oddition,
purely
subiective
considerotions
ond
motters
of
toste
enter
into
the
evolu-
otion
of the
finished
print
or slide.
lf
you
moke
severol
exposures
of the
some
scene
or subiect
with vorious
exposure
times,
you
will
olmosi never
get
co-mplete
ogreement
omong
difierent
judges
os to
wnicn n"goiiuu
or
which
slide
received
"perfect"
exposure!
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