WILD LIFE of shy animals like the elk (left) and rare birds (right) needs a very cautious approach. Usually that also involves
shooting from great distances - again with the long-focus lenses up to the 500 mm. Tele-Tessar - L.L.E. RUE and V. HASSELBLAD.
CLOSE-UPS
CLOSE-UPS are equally jobs within the province of the commercial and
advertising photographer. An arrangement of glassware like this (above)
would probably require only a low power Proxar supplementary lens; more
elaborate accessoiries are available for macro-photography - TAGE SKAR
Filters for Colour Film
The normal yellow, orange and other filters for black-and-white film must never be used with colour films, as they would give the
colour picture a strong overall colour tint.
In daylight and with daylight type film, only two filters are ever required. One is a haze filter, almost colourless but for a slight straw
tinge. It is usefully employed on hazy days and in high altitudes to avoid excessive bluishness of the colour picture, especially with
distant landscapes, seascapes and near water. This filter does not call for any change in exposure. On dull days a skylight filter
compensates for the excessive coldness of the colour rendering
Either filter is also useful for colour photography with electronic flash as it produces somewhat warmer tones.
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