Bank 10: the Compressor Programs
9-4
6 FM
DLY SLP GAIN THR ATC RTC
15.64ms 14.22=1 7dB 15dB 15ms 58ms
EXS EXG EXT
1.88=1 7dB -40dB
7 Nailed
DLY SLP GAIN THR ATC RTC
39.27ms 21.33=1 6dB 0dB 7ms 286ms
EXS EXG EXT
2.00=1 10dB -40dB
8 Noise Gate
DLY SLP GAIN THR ATC RTC
20.38ms 1.00=1 0dB 0dB 7ms 37ms
EXS EXG EXT
2.98=1 24dB -30dB
9 2-Slp-Mach A
DLY SLP GAIN THR ATC RTC
9.40ms 1.77=1 10dB -18dB 7ms 181ms
EXS EXG EXT
1.50=1 10dB 50dB
0 2-Slp-Mach B
DLY SLP GAIN THR ATC RTC
0ms 2.41=1 4dB -12dB 7ms 91ms
EXS EXG EXT
1.00=1 10dB 46dB
Program Descriptions
1 2.00=1 Compressor
A two-to-one compressor/expander with time con-
stants optimized for both processes.
2 6.24=1 Compressor
A more aggressive compressor/expander that pro-
vides more overall loudness than 2.00=1 Compressor.
3 18.00=1 Compressor
An even more aggressive compressor/expander — the
dynamic range becomes noticeably restricted.
4 Transfer
Very linear compressor designed for mastering appli-
cations.
5 Vox Easy
A compressor/expander that is a good starting point
for a vocal track — use it on a mixer's patch point.
Peaks remain intact and the loudness of the vocalist(s)
in the mix is increased.
6 FM
Gain below threshold ramps rapidly and hits a brick
wall — feed program material in and compare it with
your favorite station.
7 Nailed
Provides a compressor/expander that affords little dy-
namic range on output — true to its name!
8 Noise Gate
Compressor is inactive, and the expander time con-
stants have been optimized for gating.
9 2-Slp-Mach A
0 2-Slp-Mach B
These programs are designed to be used with the 480L
in Cascade configuration. Load the programs as their
names describe them:
in Machine A, load 2-Slp-Mach A
In Machine B, load 2-Slp-Mach B
These programs provide a compressor that has a
nonlinear gain slope. Machine A provides a slow rise in
gain from -18dB up to -12dB. Machine B provides a
more aggressive gain slope from -12dB forward. Re-
ally sounds great on dynamic pop program material.
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