BACKLIGHT
SETTING VALUE
BRIGHTNESS
(cd /m
2
)
*POWER
CONSUMPTION
(Watts)
Level 100 299 cd/m
2
51.8 Watts
90 90%** 93%**
80 81% 87%
70 72% 83%
60 63% 78%
50 52% 73%
40 42% 66%
30 33% 61%
20 23% 55%
10 14% 48%
1 7% 44%
D
ramatization Dramatization
SHARPER
BRIGHTER
CLEARER
Power consumption was measured using IEC62087 dynamic broadcast - content video signal
By selecting lower levels of backlight settings, a
reduction in power consumption is achieved resulting
in energy savings and lower costs.
32LG3DCH in Vivid Mode
*
26LG3DCH in Vivid Mode
22LG3DCH in Vivid Mode
BACKLIGHT
SETTING VALUE
BRIGHTNESS
(cd /m
2
)
*POWER
CONSUMPTION
(Watts)
Level 100 217 cd/m
2
122 Watts
90 93%** 93%**
80 87% 89%
70 79% 84%
60 72% 78%
50 59% 73%
40 57% 67%
30 50% 61%
20 44% 57%
10 36% 51%
1 29% 46%
BACKLIGHT
SETTING VALUE
BRIGHTNESS
(cd /m
2
)
*POWER
CONSUMPTION
(Watts)
Level 100 445 (cd /m
2
) 124W
90 99.55%** 100%**
80 89.89% 91%
70 80.00% 83%
60 70.79% 76%
50 60.00% 68%
40 51.69% 62%
30 40.90% 54%
20 31.24% 47%
10 20.67% 40%
1 12.36% 33%
All percentages listed are percentages based off of level 100
**
32LG3DCH (silver)
26LG3DCH (silver)
22LG3DCH (silver)
POWER SAVING LEVELS
DIGITAL RIGHTS MANAGEMENT SYSTEM
The Pro:Idiom system’s high-quality security unlocks access to premium content
availability to help assure rapid, broad deployment of HDTV and other high value
digital content. Pro:Idiom has been designed specifically for industries that use
premium HDTV content from cable, satellite or video on demand (VOD) services
and as such, could result in lower costs, and reduced maintenance. This system is
one of the leading DRM systems embraced by content providers for both of these
key programming sources. By using this embedded approach, security is provided
and helps eliminate the possibility of customers tampering with or removing
needed components.
VIEWING QUALITY AS THE DIRECTOR INTENDED
24p playback matches the original frame rate of film based content, making your
viewing experience one step closer to “Real Cinema”
Original Film
Original film has a frame rate of
24 frames per second. To be
viewed on standard video
equipment such as TVs it must be
have a pull down solution.
Real Cinema
Real Cinema uses a 2:3 pull down
which takes ever other frame and
splits it into three fields of video for
a smoother transition from film to
video.
Dramatization
NTCS Pulldown Solution
NTSC corrects the frame rate
difference by repeating every 4th
frame. Sound must be separated
from the film to avoid any
distortion.
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