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Mackie
Music Mixer
8-submaster mixer
Mackie 8-submaster mixer User Manual
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1
8•
BUS O
W
NER'S
M
A
NU
A
L
2
MUTE
3
MUTE
4
MUTE
5
MUTE
6
MUTE
7
MUTE
8
MUTE
9
MUTE
10
MUTE
11
MUTE
12
MUTE
13
MUTE
14
MUTE
15
MUTE
16
MUTE
1
6x8x2 8-BUS MIXING CONSOLE
1
MUTE
CHANNEL
15
CHANNEL
16
CHANNEL
13
CHANNEL
14
CHANNEL
11
CHANNEL
12
CHANNEL
9
CHANNEL
10
CHANNEL
7
CHANNEL
8
CHANNEL
5
CHANNEL
6
CHANNEL
3
CHANNEL
4
CHANNEL
1
CHANNEL
2
PHANTOM
POWER
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL-
UNBAL
TIP = OUT
RING = IN
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
MIC/LINE
CHANNEL
9
CHANNEL
10
CHANNEL
11
CHANNEL
12
CHANNEL
13
CHANNEL
14
CHANNEL
15
CHANNEL
16
CHANNEL
2
CHANNEL
3
CHANNEL
4
CHANNEL
5
CHANNEL
6
CHANNEL
7
CHANNEL
8
CHANNEL
1
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
TAPE
MIC/LINE
+4
–10
48
dB
40
dB
U
L
I
N
E
S
E
N
S
I
T
I
V
I
T
Y
M
I
C
/
L
I
N
E
G
A
I
N
FLIP
GAIN
TRIM
FLIP
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
TRIM
FLIP
TRIM
FLIP
FLIP
GAIN
FLIP
GAIN
TRIM
FLIP
GAIN
FLIP
GAIN
FLIP
GAIN
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
1
2
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
3
4
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
O
O
U
+15
O
O
U
+15
O
O
U
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
56
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
AUX
PRE
1
2
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
O
O
U
+15
O
O
AUX
7
8
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
AUX
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
10
11
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
AUX
12
13
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
9
14
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
AUX
PRE
1
2
4
3
5
6
MIX-B
CHANNEL
PRE
SHIFT
SOURCE
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
AUX
15
16
+15
AUX
4
+15
U
PRE
U
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
OCTAVES
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
HI
MID
BAND
WIDTH
500
18k
3k
FREQ
–15
+15
U
1k
5k
3
2
12
NORMAL
OCTAVES
OCTAVES
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
OCTAVES
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
U
LO
–15
+15
U
–15
+15
U
250
220
350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
U
LO
–15
+15
U
–15
+15
U
250
220
350
EQ
LOW CUT
EQ IN
LO
MID
HI
75 Hz
18dB/oct
45
3k
–15
+15
U
LO
–15
+15
U
–15
+15
U
250
220
350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
U
LO
–15
+15
U
–15
+15
U
250
220
350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
+15
U
LO
–15
+15
U
–15
+15
U
250
220
350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
–15
+15
U
–15
+15
U
250
220
350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
U
LO
–15
+15
U
–15
+15
U
250
220
350
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
EQ
LOW CUT
EQ IN
LO
MID
HI
FREQ
75 Hz
18dB/oct
45
3k
–15
+15
80
U
LO
–15
+15
U
–15
+15
U
250
220
350
12k
80
12k
80
12k
80
12k
LO
12k
80
12k
80
12k
80
12k
80
350
3k
–15
FREQ
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
CHANNEL
CHANNEL
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
FLIP SW
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
FLIP SW
FLIP SW
CHANNEL
CHANNEL
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
MONITOR
LR
PAN
SOLO
OL
L
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
FLIP SW
CHANNEL
+15
O
O
U
MIX-B
SOURCE
LEVEL
SPLIT EQ
MONITOR
LR
PAN
SOLO
-20
OL
LR
FLIP SW
CHANNEL
HI/LO EQ
TO MON
O
HI/LO EQ
TO MON
-20
R
PAN
FLIP SW
CHANNEL
+15
O
O
U
MIX-B
SOURCE
PAN
LEVEL
SPLIT EQ
HI/LO EQ
TO MON
MONITOR
LR
PAN
SOLO
-20
OL
LR
O
O
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
5-6
3-4
1-2
7-
8
L/R
MIX
O
O
MUTE
5
10
40
50
80
5-6
3-4
1-2
7-
8
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
MUTE
5
10
40
50
80
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
UU
UU
U
U
U
U
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
U
U
U
U
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
dB
30
20
5
10
L/R
MIX
O
O
MUTE
5
10
40
50
80
U
U
5-6
3-4
1-2
7-
8
5-6
3-4
1-2
7-
8
O
O
U
U
dB
30
20
5
10
O
O
5
10
40
50
80
dB
30
20
5
10
O
O
5
10
40
50
80
dB
30
20
5
10
O
O
5
10
40
50
80
dB
30
20
5
10
O
O
5
10
40
50
80
1234
U
U
U
U
dB
30
20
5
10
O
O
5
10
40
50
80
dB
30
20
5
10
O
O
5
10
40
50
80
dB
30
20
5
10
O
O
5
10
40
50
80
dB
30
20
5
10
O
O
5
10
40
50
80
5678
U
U
U
U
MIX
dB
30
20
5
10
O
O
5
10
40
50
80
U
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
TALKBACK
MIC
LEFT/RIGHT
MONO
L+R
RLRLRLR
MONO
L+R
MONO
L+R
MONO
L+R
MONO
L+R
ASSIGN
MONO
L+R
MONO
L+R
L
MONO
L+R
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
MIX
MIX
MIX
MIX
LRLRLRLR
MAIN
OR SOLO LEVEL
1
9
17
2
10
18
3
11
19
4
12
20
5
13
21
6
14
22
7
15
23
8
16
24
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
+
7
4
2
0
2
10
7
10
20
30
40
–
10
7
4
2
0
2
10
7
10
20
30
40
–
22
+
MIX-B TO
L/R MI
X
SOLO
AUX SEND 3/4
MIX-B
CNTRL RM
AUX SEND 5/6
EXTERNAL
SOURCE
MIX B
MONITOR
PHONES 1
PHONES
LEVEL
SOLO
AUX SEND 3/4
MIX-B
CNTRL RM
AUX SEND 5/6
EXTERNAL
SOURCE
PHONES 2
PHONES
LEVEL
ASSIGN
MIX-B
LEVEL
+15
O
O
U
O
O
O
O
MONO
TAPE SUB
MASTERS
AUX SEND 1
2-TK
MIX-B
L/R MIX
EXTERNAL
SOURCE
MONITOR
CNTRL RM
STUDIO
SOLO
TALKBAC
K
LEVEL
LEVEL
RUDE
SOLO LITE
AUX SEND 2
PHONES
&
STUDIO
+15
O
O
U
+15
O
O
U
+15
O
O
U
SOLO
SOLO
SOLO
SOLO
AUX SENDS
STEREO AUX RETURNS
4
3
5
6
PHONES
2
L/R MIX
PHONES
1
PHONES
2
L/R MIX
3
4
LEVEL
ASSIGN
ASSIGN
LEVEL
LEVEL
PHONES
1
6
+15
O
O
U
+15
O
O
U
+15
O
O
U
+15
O
O
U
+20
O
O
U
+20
O
O
U
5
+20
O
O
U
+20
O
O
U
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
LEVEL
L/R MIX
1-2
3-4
5-6
7-8
L/R MI
X
SOLO
1-2
3-4
5-6
7-8
1
2
ASSIGN
ASSIGN
+20
O
O
U
+20
O
O
U
LR
LR
SOLO
LEVEL
BALANCE
SOLO
SOLO
2
1
+15
O
O
U
+15
O
O
U
LEVEL
POWER
EXTERNAL
INPUT
MIX-B
OUTPUT
AUX SEND
3
3
R
L
4
4
R
R
5
5
R
L
6
6
R
R
L
7
L
L
L
R
8
R
R
R
SUBMASTER INSERT
AUX RETURN
CNTRL
RM OUTPUT
STUDIO
OUTPUT
MAIN MIX
MAIN
INSERTS
3456
PHONES
12
MONO
L
MONO
L
MONO
L
MONO
L
MONO
1
1
R
L
2
2
R
R
2-TRACK
INPUT
12
MONO
L
MONO
L
MONO
TIP=OUT RING=IN
PHANTOM
POWER
TRIM
GAIN
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
GAIN
GAIN
TRIM
TRIM
TRIM
TRIM
TRIM
O
O
2
Table of Contents
Default Chapter
2
Safety Instructions
2
Table of Contents
4
Section 2*
6
Panel Layout and Function
6
Input Channels
6
Fader
6
Mute
6
OL Leds
7
Channel solo
7
Phantom Power
7
Trim
7
MIC/Line Switch
7
The Flip Switch: MIC/Line or Tape
8
MIX-B / Monitor
8
MIX-B Pan
8
MIX-B Level
8
MIX-B Split
9
EQ Section
9
HI MID EQ
9
EQ In/Out
10
Hi Eq
10
LO Cut
10
Lo Eq
10
LO MID EQ
10
AUX Sends
10
Aux 1 & 2
11
Aux 3, 4, 5, 6
11
Pre (1&2)
11
Pre (3-6)
11
Shift
11
Source
11
Output Section
12
Bus Faders
12
L MIX and R MIX
12
Mono L & R
12
Solo
12
L/R MIX Fader
12
Metering Bus Meters 1-8
13
Main/Solo Meters
13
AUX Sends
13
AUX solo
14
Stereo aux Returns
14
Assign (1&2)
14
Assign (3&4)
14
Return 1 &
14
Return 3 &
14
Return 5 &
14
Returns 1 & 2
14
Returns 3 & 4
14
Returns 5 & 6
14
Monitor
15
Phones
15
Solo
15
Talkback
15
Jack Panels (Input Strip and Master Output)
16
BNC Sockets
16
Channel Insert
16
Direct out
16
Input Strip
16
Line in
16
MIC in
16
Phantom Power
16
Output Panel
17
AUX Returns
17
AUX Sends
17
Control Room Output
17
Main Inserts
17
Submaster Inserts
17
2-Track Input and External Input
18
Main MIX
18
MIX-B Output
18
Phones
18
Studio Output
18
Rear Panel Connections
19
Operating Level
19
Submaster/Tape Output
19
Submaster/Tape Outputs17
19
Tape Return Operating Level
19
Tape Returns
19
DC Power in
20
Expander Port
20
Main Bal. Outputs
20
Section 3: General Information
22
Levels
22
Noise
22
Headroom
22
Unity Gain
22
Metering
22
Buses
23
Sends & Returns
23
Solo
23
Connectors
25
A Bit more on MIX-B/Flip
25
Section 4
26
Recording
26
Overdubbing
26
Using Buses
26
Monitoring
26
Cue MIX
26
Wet or Dry Monitor
27
Let's Record
30
Overdub, Anyone
30
Recording Overview
26
SECTION 4 Recording
26
Setup
26
Mixing Overview
30
Doing the MIX
31
Using External Processing
31
Insert Devices
31
Overdubbing: Input/Output
32
Send / Return Devices
38
Using Subgroups
38
Finding more Inputs: MIX-B to L & R Buses
38
Monitoring and Levels
39
About Automation
39
Mixing Setup
31
Pick a Model
31
Consider Compression
31
Section 5
41
PA and Sound Reinforcment Applications
41
Setup
41
House and Monitor MIX Together
46
Headphones
46
Making a Simultaneous Recording
46
HOUSE MIX ONLY or MONITOR MIX ONLY
46
MIC Splitters
47
Finding more Inputs
47
APPENDIX A: Connections
48
Xlr" Connectors
48
1/4" Trs Phone Plugs
48
Jacks
48
1/4" Ts Phone Plugs
48
Switched 1/4" Phone Jacks
48
Rca Plugs & Jacks
49
Unbalancing a Line
49
Special Connections
49
TRS Send/Return Insert Jacks
49
Using Return Only
49
Using the Send Only of an Insert Jack
49
MULTS and "Y"S
50
Whatever
50
APPENDIX B: Options, Add-Ons and Extra Stuff
51
Meter Bridge
51
Expander Console
51
Console Stand
51
Sidecar
51
Automation
51
Un-Cigarette Lighter
51
Mixing Shoes
51
APPENDIX C: Modifications
52
Aux Send Mod
52
II. PFL Mod
53
III. MIX-B Source Mod
53
IV. MIX-B Mute Mod
54
Aux 1/2 Source Mod
55
APPENDIX D: Specifications
56
Gain/Level Chart
56
Service
63
Troubleshooting
63
Where It Gets Fixed
63
Factory Service
63
Authorized Service
63
Center
64
Track Sheet
66
Session Note Sheet
69
Block Diagram
72
5
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Mackie 8-submaster mixer Specifications
General
Number of Channels
8
Submasters
8
Faders
60mm
Type
Analog
EQ
3-band on mono channels
Inputs
8 mono, 4 stereo
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