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General| Type | Analog Mixer |
|---|---|
| Channels | 16 |
| Mic Inputs | 8 |
| Phantom Power | Yes |
| Aux Sends | 4 |
| Bus Outputs | 4 |
| Width | 19 inches |
| EQ Bands | 3-band |
| Outputs - Main | 2 |
| Line Inputs | 16 (1/4" TRS) |
Important safety instructions for operating the CR-1604 to prevent electrical hazards and damage.
Step-by-step guide to tune channel sensitivity for optimal noise and headroom.
Explanation of Aux Send controls and their functions for effects and monitor mixes.
Description of the mixer's input/output section and individual channel strip layout.
Detailed explanation of the Hi, Mid, and Lo EQ controls and their musical effect.
How the constant-power pan pots position signals within the stereo sound field.
Operation of the Solo and Mute/Alt 3/4 buttons for monitoring and routing.
Controls for setting the level and stereo balance of Aux Return signals.
Functions to combine stereo Aux Returns to mono and solo them for scrutiny.
Previewing ALT 3/4 signals and muting main outputs for various applications.
Routing solo signals to main outputs and headphone jack operation.
Adjusting solo and headphone output levels simultaneously.
Controls for managing the main stereo output signal levels.
Adjusting input sensitivity for mic and line signals across different channels.
Details on the balanced mic inputs, including wiring and impedance.
Explanation of phantom power for condenser microphones and its operation.
Using balanced 1/4" inputs for various signals and connecting sources.
Connecting unbalanced signals and details on the mixer's mains power.
Using channel access jacks for serial processing like compressors or filters.
Connecting effect outputs and using bus inserts for overall mix processing.
Outputs for ALT 3/4 buses and AUX sends, detailing levels and impedance.
Monitor output and characteristics of balanced/unbalanced stereo main outputs.
Introduction to external signal processors and their use with the mixer.
Methods for connecting stereo and mono effect outputs to AUX returns.
Using channel access jacks for serial processing or as direct outputs.
Practical examples for using ALT 3/4 buses to create separate sub-mixes.
Advice on accurate monitoring, avoiding ear fatigue, and choosing monitors.
Tips for maintaining the mixer, including cleaning and positioning.
Detailed steps for adjusting channel input sensitivity and levels for optimal performance.
Instructions for changing the input/output pod from tabletop to rack mount position.
Simple tests and checks for diagnosing common mixer problems like bad channels or outputs.
Steps for returning the mixer for repair, including obtaining an RA number.
How to route effects to monitors and record them using various mixer outputs.
Setting up monitor/auxiliary sends, available modifications, and using XLR inputs for line signals.
Using main/mono outputs simultaneously, splitting signals, and recording with effects.
Details on modifying channel access points for different signal flow configurations.
Instructions for altering AUX send signal paths for various routing needs.
