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Patch Ideas:
The Sub Timbral Voice:
Patch Variable Shape output to AC input of MMG. Patch Sub-Osc output to DC input of MMG. Set STO Freq to around 12:00. Set
MMG input attenuator to 1:00, MMG Freq full counter clockwise, MMG Q to 11:00 and Mode to LP. Patch slow LFO logarithmic
from MATHS to Shape CV Input on STO and set Shape attenuator to about 60%. Patch sequencer or keyboard CV to 1V/Octave
input on STO. Patch sequencer or keyboard gate to envelope generator such as MATHS or FUNCTION, programmed for fast Rise
Time, Slow Fall Time and Exponential shape. Patch this exponential envelope to the Freq 2 CV Input on MMG. Monitor MMG
Output.
Analog Bass Drum:
Patch Sine to Optomix CH. 1 Signal Input. Patch Gate to Linear FM Input and Optomix CH. 1 Strike Input. Set Linear FM amount to
12:00 and Frequency panel control to roughly 9:00. Set Optomix CH. 1 Damp and Control panel controls to full Counter
Clock-Wise. Monitor Optomix CH. 1 Signal Output. Adjusting the Linear FM amount, Frequency setting, and Damp settings allow
you to create many dierent Bass Drum sounds. Adding Expo FM from another VCO expands the possibilities.