UNDERSTANDING PANASONIC AJ-HDC27H
© ALLEN YEUNG 2008
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UG_AJ-HDC27H_v1.doc
Gamma Curve Selection and the Output Formats
3,4
Medium Dynamic Range
Human
13 Stops
Film Stock
9 – 15.9 Stops
HDC27H
11 Stops
Cinema Screen (SMPTE)
9 Stops
HD Broadcast Monitor (ITU-R 709)
7.5 Stops
SD Broadcast Monitor (ITU-R 601)
5 Stops
Theatrical Output (with Broadcast Priority)
Workflow Dynamic Range Equipment
GAMMA: F.REC
Camera Sensor (Tape)
Recording
ITU-R 709 Preview
HDC27H + GBX27
(Preview middle range of
sensor, but conform to
ITU-R 709 standard)
Capturing
Editing Master (File)
FRC27 + HD1700
Grading for
HD Broadcast
Output
ITU-R 709 (Tape)
GBX27 + HD1700 for
direct output or colour
correction if needed
Grading for
Theatrical Output
Theatrical (HD-D5 Tape)
Colour correction
required and Panasonic
LUT for film out