PMC PMC6 - Page 11

MODELS
The PMC6, PMC6-2, and PMC8-2 monitors, and the PMC8 SUB and PMC8-2
SUB all share the following features:
• Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate)
• Digital ‘through’ output (AES3 24-bit 96kHz)
• Rear-panel LCD display and rotary encoders for user settings
• Sophisticated DSP crossover, driver protection, EQ, and delay/polarity
options
• SoundAlign network control interface for single or group EQ & settings
• Independent, state-of-the-art, Class-D amplier for each drive unit
• Universal auto-sensing mains input via IEC C14 connector
• All models are Left/Right-handed except for the PMC8 SUB
PMC6
• Active 2-way neareld reference monitor with ATL
™
bass loading
• HF: PMC 1” soft-dome tweeter with 200W amplier
• LF: PMC 6” Studio6 bass-mid with 200W amplier
• Frequency response: 39Hz - 25kHz
(- 3dB @1m full space, on-axis)
• Max. cont. SPL: 106dB (@ 1m half space, 20-20kHz 12dB crest-factor pink noise for 2 hrs)
• Automatic portrait/landscape placement DSP correction
• Ceiling-mount yoke allows suspension in multi-channel or immersive
systems
• Upgrade with a PMC8 SUB to create a PMC6 XBD, delivering LF extension
down to 25Hz with perfect integration.
PMC6
(left portrait)
PMC6
(left landscape)
PMC6
(right portrait)
PMC6
(right landscape)
YOKE 18
(ceiling mount)