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HOW TO USE THE PROFEX EFFECT:
- rotate the SELECTOR knob to choose the type of eff ect (preset) you want to use;
- to select a varia on of the preset, press and hold the knob un l the display fl ashes;
- rotate the knob and choose one of the 16 varia ons available;
- press and hold again the knob un l the display stops fl ashing to confi rm the selec on and to return back to the
preset selec on;
- send the signal to the eff ect with the AUX control (10) of the channel you want to add the eff ect to;
- rotate the FX LEVEL (25) knob un l you hear the eff ect added to the original signal;
- adjust the AUX controls (10) just before the signal input clipping indicated by the peak led (22);
- re-adjust the FX LEVEL (25) knob to combine the wet eff ected signal with the natural dry signal.
NOTE: the preset and the varia on selected in the PROFEX eff ect are kept in the memory even if you turn off the
mixer.
PRESET DESCRIPTION:
p 1. BRIGHT HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with
long pre delay and a lot of high frequency refl ec ons. Works well with vocals, electric and acous c guitars, strings.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 2. DARK HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
pre delay and a few of high frequency refl ec ons. Works well with vocals, guitars, woodwinds.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 3. BRIGHT ROOM - This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature
a lot of early refl ec ons with a lot of high frequency. Works well with vocals, woodwinds, strings, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 4. DARK ROOM - This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature a
lot lot of early refl ec ons with a few of high frequency. Works well with vocals, fi ngered guitars, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 5. VOCAL 1 (STAGE REVERB) - Amazing reverb designed for vocals with a long tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng plate, spring or hall types of
reverb.
p 6. VOCAL 2 (CLUB REVERB) - Amazing reverb designed for vocals with a dense tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng tape, hall or spring types of
reverb.
p 7. PLATE - This is a simula on of metal plate reverb, as used on classic recordings from the ‘70s and ‘80s.
The VARIATIONS vary the decay me from long tail [1] to short tail [16].
p 8. STEREO DELAY - Echo eff ect with ping-pong of le and right channels.
The VARIATIONS vary from long delay mes [1] to short delay mes [16].
p 9. STEREO TAP DELAY - Like STEREO DELAY above with me set by the user TAP bu on (22) just below.
The VARIATIONS vary from 5% [1] to 90% [16] of feedback quan ty.
p 10. MONO TAP DELAY - Typical mono delay with me set by the user TAP bu on (22) just below.
The VARIATIONS vary from 0% [1] to 75% [16] of feedback quan ty.
p 11. CHORUS - Typical modula on eff ect, provides a so , ethereal sweeping eff ect. Perfect for enhancement of
electric and acous c guitar and bass. Also adds a drama c eff ect to vocals, par cularly group harmonies and choirs.
The VARIATIONS increase the modula on frequency from 0.5Hz [1] to 5Hz [16].
p 12. FLANGER - Typical modula on eff ect, creates a strong sweeping eff ect, par cularly eff ec ve on rock electric
guitar, lead and rhythm.
The VARIATIONS increases the modula on frequency from 0.2Hz [1] to 3Hz [16].
p 13. REVERB+DELAY 1 - Typical vocal hall reverb and stereo delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 14. REVERB+DELAY 2 - Typical vocal hall reverb and mono delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 15. REVERB+TAP DELAY - Typical vocal hall reverb and mono TAP delay combined together.
The mono delay me is set by the user TAP bu on (22) just below.
The VARIATIONS vary from long tail [1] to short tail [16] and from 0% to 75% of feedback quan ty [1-16].
p 16. REV+CHORUS - Typical vocal reverb and chorus eff ect combined together.
The VARIATIONS vary from long tail [1] to short tail [16] and increases the modula on frequency from 0.5Hz to 5Hz
[1-16].
21. TAP bu on and LED
When “TAP DELAY” eff ects (p 9, 10, 15) are selected, by pushing at least two mes this bu on it’s possible to set the
desired delay me, according to music rhythm. The TAP LED fl ashes in sync with the delay me set.
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