•
Sample Program
The
following
Îs
a step-by-step
example
of
creating a
new
program.
The
example
given
is
for a
brass
chorus
sound.
You
ma
y wish
to
tailor
the
program
ta
yOUf
own
tas tes
once
yOll
have initially
set ail
of
the
parameter
values.
PRESS
SET PARAM
VALUE
1 PATCH
9
39
TUNE
0
42 MOD 2
2
SELECT
43 MOD 2
19
DEPTH
40MOD
1
0
SELECT
41
MOD
l
19
DEPTH
14 ATTACK
2
16DECAY
27
18 AELEASE
7
13
AMP
TOUCH
3
21
ATTACK
4
23DECAY
30
25 AELEASE
6
44
MOD
3
3
SELECT
45
MOD
3
43
DEPTH
38
RESONANCE
1
27
MOD
1
1
SELECT
28 MOD 1
3
DEPTH
9 RATE
54
S MODE
1
12 AMPL
13
MOO
4 DETUNE
2
The
fifst
step
Îs
to
clear
a
program.
Press
both
[EDIT
Al and
[EDIT
Bl,
then
press
and
hold
the
[PARAMETEA
SELECT] switch. White holding this
switch, press each
of
the
numbered
switches
(1
through
50).
When
yOll
play
the
keyboard,
a raw,
sawtooth
sound
should
be
heard.
EXPLANATION
This value establishes a four-pole
filter
response, ideal
for
brass.
Tunes the filters down.
Selects Envelope
lA
to
modulate the
fil
ter.
Sets
the
depth
of
tilter modulation by the envelope.
Selects keyboard gilde so
that
the
filter can change tuning with
pitch.
Determines how much
the
tilter tuning will increase as vou
go
up
the
keyboard,
in
This
case, slightly less than
the
rate
of
the
Pitch (32 = same as Pîtch).
Medium fast attack time, Envelope 1.
Medium slow decay time.
Medium fast release rate.
Medium
Touch
sensitivity, Envelope 1.
Medium fast attack time, Envelope 2.
Medium long decay time, Envelope 2.
Medium fast release.
1
Select Envelope 2 to modulate nlter.
1
Adds Envelope 2
to
tilter input resulting
in
an
"ADSR"
envetope
function.
Sets a smalt
amount
of
re5onance.
Select Sweep
A to modulate pitch (for vibrato).
,
Sets a smatl
amount
of
pitch modulatIOn.
Sets
vibrato rate.
Sets independent vibrato mode.
Produces a delayed vibrato.
1
1
Detunes the A and B o$cillators.
1
Note: ail switches
not
mentioned are assumed to be
in
the
"default"
state (usuallv zero!.
Press
and hold
!PARAM- J
ETER SELECT!
and then press
the
parameter switch
to
set it
to
the
default
value .
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