RME Audio Fireface 400 - General

RME Audio Fireface 400

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User's Guide Fireface 400 © RME

5

User's Guide

Fireface 400

General

Table of Contents

Default Chapter2
- Default Chapter2
  - Table of Contents2
- General5
1 Introduction6
2 Package Contents6
3 System Requirements6
4 Brief Description and Characteristics6
5 First Usage - Quickstart7
- Connectors and Front Panel7
- Quick Start9
6 Accessories9
8 Appendix10
7 Warranty10
- Installation and Operation - Windows13
9 Hardware Installation14
10 Driver and Firmware14
- Driver Installation14
- Driver Update15
- Deinstalling the Drivers15
- Firmware Update15
11 Configuring the Fireface16
- Settings Dialog - General16
- Settings Dialog - Input Gain19
- Settings Dialog - DDS19
- Clock Modes - Synchronization21
- Limit Bandwidth22
12 Operation and Usage23
- Playback23
- DVD-Playback (AC-3/DTS)24
- Low Latency under MME25
- Notes on WDM26
- Multi-Client Operation27
- Digital Recording28
- Analog Recording29
13 Operation under ASIO29
- General29
- Known Problems30
14 Operation under GSIF30
15 Using more than One Fireface31
16 Digicheck32
17 Hotline - Troubleshooting33
- General33
- Hotline – Troubleshooting 17.1 General33
- Installation34
18 Diagrams35
- Channel Routing ASIO 96 Khz35
- Channel Routing MME 96 Khz36
19 Hardware Installation38
20 Driver38
- Driver Installation38
- Driver 20.1 Driver Installation38
- Driver Update39
21 Firmware Update39
22 Configuring the Fireface40
- Settings Dialog - General40
- Settings Dialog - Input Gain43
- Settings Dialog - DDS43
- Clock Modes - Synchronization45
- Limit Bandwidth46
23 Mac os X FAQ47
- Round about Driver Installation47
- MIDI Doesn't Work47
- Supported Sample Rates48
- Repairing Disk Permissions48
- Firewire Compatibility48
- Various Information48
24 Hotline - Troubleshooting49
25 Diagram: Channel Routing at 96 Khz50
- Stand-Alone Operation, Connections and Totalmix51
26 Stand-Alone Operation52
- Front Panel Operation52
- 8-Channel AD/DA-Converter53
- 2-Channel MIC Preamp53
- Monitor Mixer53
- Digital Format Converter53
- Analog/Digital Routing Matrix53
27 Analog Inputs54
- Line Rear54
- Microphone / Line Front54
- Instrument / Line Front55
28 Analog Outputs56
- Line56
- Phones (7/8)56
29 Digital Connections57
- Adat57
- Spdif57
- MIDI58
30 Word Clock59
- Word Clock Input and Output59
- Technical Description and Background60
- Cables and Termination61
- General Operation61
31 Totalmix: Routing and Monitoring62
- Overview62
- The User Interface64
- Elements of a Channel65
- Tour de Totalmix65
- Submix View67
- Mute and solo67
- Quick Access Panel68
- Presets68
- Monitor Panel70
- Preferences70
- Editing the Names71
- Hotkeys72
- Menu Options73
- Level Meter74
32 Totalmix: the Matrix75
- Overview75
- Elements of the Matrix View75
- Usage75
- Advantages of the Matrix76
33 Totalmix Super-Features76
- ASIO Direct Monitoring (Windows Only)76
- Selection and Group Based Operation77
- Copy Routings to Other Channels77
- Delete Routings77
- Recording a Subgroup (Loopback)78
- Using External Effects Devices79
- MS Processing80
34 Totalmix MIDI Remote Control81
- Overview81
- Mapping81
- Setup82
- Operation82
- Simple MIDI Control83
- Loopback Detection83
- Stand-Alone MIDI Control84
- Technical Reference87
35 Tech Info88
36 Technical Specifications89
- Analog89
- MIDI90
- Digital90
- Digital Inputs90
- Digital Outputs91
- Transfer Modes: Resolution/Bits Per Sample91
- General91
37 Technical Background92
- Lock and Synccheck92
- Latency and Monitoring93
- Firewire Audio94
- Number of Channels and Bus Load95
- DS - Double Speed96
- QS - Quad Speed96
- Aes/Ebu - Spdif97
- Noise Level in DS / QS Mode98
- Steadyclock98
38 Diagrams99
- Block Diagram Fireface99
- Diagrams 38.1 Block Diagram Fireface99
- Connector Pinouts100

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