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Rodgers Trilogy - Page 23

Rodgers Trilogy
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20
3.
MF-F
(32-B)
Great:
8'
Open
Diapason,
8'
Bourdon,
4'
Octave,
2'
Piccolo
Choir:
8'
Viola,
Gedech."t,
4'
Flute,
2'
Piccolo
Pedal:
16'
Bourdon,
8'
Octave,
8'
Flute
4.
MF-F
(TRILOGY)
Great:
8'
Open
Diapason,
8'
Bourdon,
4'
Octave
Choir:
8'
Gedeckt,
8'
Dulciana,
4'
Flute,
2'
Piccolo
Pedal:
16'
Bourdon,
8'
Octave,
8'
Flute
5.
F-FF
(32-B)
Swell:
8'
Trumpet,
4'
Clarion
Great:
8'
Open
Diapason,
8'
Bourdon,
4'
Octave,
4'
Flute,
2'
Flute
Pedal:
16'
Diapason,
16'
Bourdon,
8'
Octave,
8'
Flute,
Great
to
Pedal
6.
F-FF
(TRILOGY)
Swell:
8'
Trumpet,
8'
Oboe,
4'
Salicet
Great:
8'
Diapason,
8'
Bourdon,
4'
Octave,
4'
Flute
Pedal:
16
I
Diapason,
16I
Bourdon,
8'
Octave,
8'
Flute
The
reed
choruses
in
the
two above
registration
schemes
should
be
played
without
Pedal,
possibly
on
the
next
to
the
last
verse
of
the
hymn.
During
that
time,
the
Great
Mixture
could
be
added
and
possibly
the
Swell
to
Great
coupler
for
a
brilliant
accompaniment
to
the
last
verse.

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