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Rodgers Trilogy - Page 24

Rodgers Trilogy
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SYNTHESIS OF SOLO
EFFECTS
The
mutations
and
various
sounds
of
the
Choir
Division
make
it
possible
to
synthesize
many
stops
that
may
be
called
for
but
do
not
appear
as
such
on
the
32-
B
or
Trilogy.
The
suggestions
given
below
are
not
identical
with
the
re-
quired
sound
but
have
the
approximate
harmonic
structure,
and
so
are
given
here
as
a
further
extension
of
the
versatility
of
the
Rodgers
Organ.
These
are
best
used
in
carrying
melodic
lines.
PUBLISHED SUGGESTION
32-B
TRILOGY
l.
Choir
Trumpet
8'
Viola
8'
Dulciana
(Above Middle
G)
2-2/3'
Nazard
2-2/3'
Nazard
2'
Piccolo
2'
Piccolo
1-3/5'
Tierce
1-3/5'
Tierce
2.
French
Horn
8'
Gedeckt
8'
Gedeckt
(Around
Middle
C)
4'
Flute
4'
Flute
2-2/3'
Nazard
2-2/3'
Nazard
(Tremulant)
(Tremulant)
3.
Gemshorn
8'
Viola
8'
Dulciana
4'
Flute
4'
Flute
4.
Krummhorn
8'
Viola
8'
Dulciana
2-2/3'
Nazard
2-2/3'
Nazard
1-3/5'
Tierce
1-3/5'
Tierce
5.
Melodia
or
8'
Gedeckt
8'
Gedeckt
Clarabella
4'
Flute
4'
Flute
6.
Orchestral
Flute
8'
Gedeckt
8'
Gedeckt
2-2/3'
Nazard
2-2/3'
Nazard
(
Tremulant)
(
Tremulant)
7.
Quintadena
8'
Viola
8'
Viola
2-2/3'
Nazard
2-2/3'
Nazard
Chill
Chili
8.
Vox
Humana
8'
Salicional
8'
Salicional
(On
Swell Manual)
4'
Nachthorn,
Salicet
4'
Nachthorn,
Salicet
(Low
Register,
8'
Oboe
8'
Oboe
Expression
Closed)
Tremulant
Tremulant
21

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