Roland CM-500 - Page 19

Не
SO
ION
уз
С
GS
Bank
Select
number
8,
and
then
at
every
eighth
spot
іп
the
map.
These
are
called
"Sub-Capitals".
Апу
other
sounds
are
placed
on
the
map
above
the
nuance
closest
to
the
Sub-Capital
or
a
Capital
as
variants
of
these.
So
what
happens
if
we
run
into
the
situation
described
above
where
tone
changing
message
(GS
Bank
Select
number
plus
Program
Change
number)
calls
for
a
spot
on
the
tone
map
that
has
no
tone
assigned
to
it?
For
example,
let's
send
GS
Bank
Select
18/Program
Change
4.
If
there
is
a
tone
at.
18/
4
in
the
receiving
sound
module,
of
course
it
plays
that
sound.
But
if
there
is
no
tone
assigned
there
already,
the
module
goes
to
the
next-in-line
Sub-Capital
at
16/4
and
plays
using
that
sound.
Or,
if
there
is
no
tone
assigned
there
either,
it
moves
all
the
wav
down
to
the
Capital
at
0/4
and
plays
that
sound
(remember,
all
GS
sound
sources
have
tones
at
the
Capitals).
Using
this
rule,
no
matter
what
tone
number
gets
sent,
you
will
always
get
something
that,
like
an
alternate
for
a
part,
at
least
sounds
similar.
The
problem
we
had
with
disappearing
tones
between
the
A
and
B
sources
is
solved.
Check
out
the
diagram
below
to
see
how
this
scheme
is
related
to
the
GS
Bank
Select
number.
10
11
12
13
14
15
17
18
19
20
21
22
23
25
26
27
J
JOO)
OMOOOOO
000
~
varans
24 4.- Sub-Capitals
со
peo
NUR
шо
Ed
Lle
0
сара
If
there
is
no
tone
assigned
at
the
indicated
location,
run
down
the
chart
through
the
Sub-Capitals
to
the
Capitals
until
you
find
one
that
will
play.
So
even
if
the
very
same
tone
is
not
on
the
sound
source,
it
will
use
Alternate
Voicing
to
play
the
part
using
a
tone
with a similar instrument and same kind of sound.