Roland Juno-6 - Page 16

.
^eggio
Samples
17
When
using Arpeggio
as an
accompaniment,
adopt
a
pattem that is completed
within
one
measure.
Select the
appropriate
range and
-mode
according to
the
number
of
notes
in the chord, and beats in the
bar.
^
The
SAMPLE
SCORES show the examples of
when
you
press
each
note of
the
chord
simul-
taneously-.
If
there
is
a
time
gap
in pressing
each
note,
the scores
will
not
be the same.
EThree
note
Arpeggio
(1
oct.
UP/DOWN)
OCT
3 OCT
DOWN
[HThree
note Arpeggio
(2
oct.
UP)
1
OCT UP
3
OCT
DOWN
5^
HThree
note
Arpeggio
(3
oct.
UP/DOWN)
OCT
UP
:i
OCT DOWN
a
Four
note
Arpeggio
(1
oct.
UP/DOWN)
OCT
UP
;)
OCT
DOWN
[D
Four
note
Arpeggio
(2
oct.
UP)
1
OCT
UP
3
OCT
DOWN
^->
ffj#g^
[6! Five
note
Arpeggio
(1
oct.
UP/DOWN)
I OCT
UP
OCT
DOWN
^
p
-»
^^
^
H
Arpeggio
with a
Bass note
(1
)
e
Press one
Bass
note with
the
left
hand and
three
notes
of
the chord with the
right
hand.
OCT
UP
UE^
3
OCT
DOWN
w
wm
^
m
Arpeggio
with a
Bass
note
(2)
•
Press one Bass
note with the left
hand
and three
notes
of the
chord
with the
right
hand.
1
OCT
UP
2
OCT
3
OCT
DOWN
m
~^
d
Special use
of
Arpeggio
Mode (Bass
Pattern
;
1
OCT
3 OCT DOWN
5S|^^l
^0
M
Special
use
of Arpeggio Mode
(Trennolo
1,
II)
Tremolo I
•
Play
a
single
note
and adjust
the
speed
of
tremolo
with
the RATE control.
Lower
the Sustain Level
and shorten the
Decay Time.
Organ
like sound
is obtained
by adjusting ENV.
1
OCT
UP
fS^ f^^jUfUppfl^ftfiflfi
3
OCT
DOWN
Tremolo
II
•
Tremolo
with
xylophone like
octave
sound.
I OCT
UP
-J
OCT
DOWN
\g
H
M B M
m
zzj