Roland JX-3P - Page 22

Cross
Modulation
Cross
Mod
Sync
Oft
.
•
. Meta!
Tune
Tune
a
Fine
Tune
Fine
Tune
(^.
Depth (LFO Depth)
LFO
/ \
10
Depth (ENV Depth)
ENV
5
/ \
10
Poiarity
switch
B
•Sync: The frequency
of
the
DCO-2
synchronizes
with that
of
the DCO-1
,
therefore,
you
can
generate
a unique
waveform that
is
impossible
to ob-
tain if using
only one
DCO or
two
DCO's independently.
• Metal:
By controlling
the
DCO-1
with the output
signal
from
the
DCO-2, ring modulation
style
sound
can
be obtained.
[NOTE
4]
This adjusts the
frequency(pitch}
of
the DCO-2.
• Variable range
-
Approx. ±1200
cent
The frequency {pitch)
of the
DCO-2
can be adjusted with
this knob.
•
Variable range
•
±50
cent
When
the LFO output
is
modulating
the
DCO,
this knob
is
used
to adjust
the depth of the
modulation.
When the ENV output
is modulating
the DCO, this knob
is used
to adjust
the depth
of
the modulation.
This selects the
polarity
of the
Enve-
lope curve. Normally,
/^
is used,
in
V^
mode, the
ADSR
patterns
will
be
all inverted,
therefore,
pitch
altera-
tion,
too.
22
A-7 Bank button
(A-C)
A-B
A-9
T—
p
Off
Sync Metal
Sens
knob
Sens
»
—
O
—
«)
E3'
A-12
The
pitch will be higher as
you raise this knob.
Sens
knob
A-13
Bens
10—
r^^
—10
A- 14
E3
Bank button
(A or
81
C
v/yA