Roland V-Mixer VM-3100 - Points for Better Mixing: Monitor, Locator, MIDI; Monitor, Locator, and FX;Aux Send Functions; MIDI Channel and Volume Control

2. Press the [SELECT] button for the channel you want to
mute. The button lights.
3. Press [MUTE] once more.
To unmute all channels
1. Hold down [SHIFT] and press [MUTE].
m@ MONITOR
Adjusting the volume and balance of signals
output from the MONITOR (headphones) jack
1. Rotate the MONITOR LEVEL knob to adjust the volume
level.
2. Press [SELECT] in the MASTER section.
3. Press { 1 | to display the “(OUTPUT) Monitor” screen.
4. Press[T]or[ 1 ] to select “Balance.”
5. Rotate the VALUE dial to adjust the left/right balance.
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Selecting the type of signals to be output from
the MONITOR (headphones) jack
1. Hold down [SOURCE]. The “SOURCE SEL” screen appears
in the display. Continue to hold down the button.
2. Rotate the VALUE dial to select the type of signals to be
output from the MONITOR (headphones) jack.
- MASTER
- 1/2
- 3/4
- 5/6
- 7/8
- FXSNDI
- FXSND2
3. Release the [SOURCE] button.
Using MONITOR (headphones) to directly
monitor the signals input from DIGITAL IN
1. Press [DIGITAL IN].
m LOCATOR
Using a SCENE as a locator
1. Hold down [SHIFT] and press [BANK]. “BANK/SCENE”
changes to “Loc” in the display.
Selecting the type of time output with a
LOCATOR
1. Press [SYSTEM].
2. Press { 1] to select “LocType.”
3. Rotate the VALUE dial to select the method to be used for
measuring time.
“MEASURE” (Measure / Beat)
”“TIMECODE” (MTC)
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LOCATOR time type for recording
* The method for measuring time that is to be recorded is
determined in the ‘LocType” system parameter.
Clearing the methed for measuring time
recorded to the LOCATOR
1. Hold down [SHIFT] and press any flashing [SCENE 1]-
[SCENE4] button.
2. The light of the button that is pressed turns off.
m@ FX/AUX SEND
Selecting how signals are routed to the AUX
SEND bus (Pre or Post Faders)
1. Press the [SELECT] button for the channel whose routing is
to be changed.
2. Press [AUX SEND].
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3. Press [Fl-F4 ON/OFF].
4. Tress [Fl] (>Pre)(>Pst)-[F4] (>Pre)(>Pst) beneath the
indicated parameter for which the signal routing is to be
changed. The routing (“Pre” or “Pst”) is determines whether
the signal is sent to the FX or AUX bus before (Pre) or after
(Post) it is affected by the channnel fader.
* When sending signals to an external effects processor, set this
to “Pst” (Post-fader).
* When sending the signals as a performer's monitor feed, set
this to “Pre” (Pre-fader).
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Adjusting the send level for each send
parameter
1. Press the [SELECT] button for the channel the send level of
which you want to change.
2. Press [AUX SEND].
3. Press[T ]or[ 4 ] to display the send parameter whose send
level is to be set.
4. Rotate the [V1]-[V4] knobs beneath the indicated channel
whose send level is being changed to adjust the send level.
m@ MIDI
Using the channel faders as MIDI volume
faders
1. Press [MIDI CH]. The button lights red.
2. Operate the channel faders 1-8. The output of Control
Change #7 in MIDI channels 1-8 corresponds to the fader
Positions.
3. Press [MIDI CH]. The button lights green.
4. Operate the channel faders 1-8.
The output of Control Change #7 in MIDI channels 9-16
corresponds to the fader positions.
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Setting the MIDI channel and making other
MIDI settings
1. Press [SYSTEM].
2. Press [F1-F4 ON/OFF]. The functions appear in the display.
3. Press [F2] (MIDI).
4. Press| T]or[ 1] to select the parameter to be set.
5. Rotate the VALUE dial to adjust the value.
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Using the MIDI OUT/THRU connector as a MIDI
THRU connector
1. Press [SYSTEM].
2. Press [F1-F4 ON/OFF]. The functions appear in the display.
3. Press [F2] (MIDI).
4. Press { +] to select “Out/Thru Sel.”
5. Rotate the VALUE dial to select “THRU.”
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Displaying the timing information received
using MIDI
1. Press [SYSTEM].
2. Press [Fl-F4 ON/OFF]. The functions appear in the display.
3. Press [F2] (MIDI).
4. Press { 1 ] to select “TimingMon.”
5. Rotate the VALUE dial to select “MEASURE” or
“TIMECODE.”
* When “MEASURE” is selected, select the beat created with the
MIDI Timing Clock received in “Beat.”