Roland V-Mixer VM-3100 - Page 99

VM-3100 List of Algoriyhms
toms, and similar applications.
Smallc
Small condenser mic for use with instruments. Features a
particularly fine high range. For use with metal
percussion instruments and acoustic guitars.
LargeC
Flat-response condenser mic. For vocals, narration, live
instruments, and the like.
Vnt.c
Vintage condenser mic. For vocals, instruments, and the
like.
FLAT
Mic with flat frequency response characteristics. Use this
when you want the sound of a mic used for miking
larger groups.
role
When a condenser-type mic is selected in TypeOut, low-range
noise transmitted through the mic stand may be accentuated due to
the ntic’s low range characteristics. In such instances, either cut
out any unnecessary low end with bass cut filter, or equip the mic
stand with an isolation mount (a mic holder with rubber or other
shock absorbing material).
Phase [Phase]NORM, INV
This selects the mic phase.
NORM: In phase to the input.
INV: Invented phase to the input.
BassCut [BsCut] (Bass Cut Filter Switch)OFF, ON
This filter cuts out popping and other such noises as well as
unneeded low end sounds. Switching this on creates a
simulated bass cut filter. When turned off, the Freq setting is
disabled.
Freq [Freq] (Frequency)THRU, 20 - 2000 Hz
This adjusts the bass cut filter’s cutoff frequency.
Position [Pos] (Mic Position Switch)OFF, ON
Microphones tend to accentuate the low end the closer they
are placed to the source sound. This is known as the
proximity effect. Switching on this effect simulates frequency
characteristics and timing differences that change with
distance. When turned off, the ProxFx, Distance settings are
disabled.
Prox.Fx [Prox] (Proximity Effects)-12 - +12
Microphones tend to accentuate the low end the closer they
are placed to the source sound. This effect simulates those
qualities, and compensates for the low end characteristics
that change with distance. Positive settings bring the mic
closer to the source, and negative settings put the mic ata
greater distance.
Distance [Dis] (Mic Distance})O - 3000 cm
This simulates the time difference that changes with distance
from the source.
13 GUITAR AMP. SIMULATOR
This algorithm simulates a guitar amp.
Noise Speaker
Suppressor PreAmp. Simulator
L
R
NOISE SUPPRESSOR
These parameters function the same way as those in the
NOISE SUPPRESSOR in Algorithm 03 (VOCAL MULTI)
(p.13).
Threshold [Thre] (Threshold Level)0 — 100
Release [Rele] (Release Time)0 — 100
PRE AMP. SIMULATOR
This effect simulates the pre-amp section of a guitar
amplifier.
Amp.Type [Type] (Pre Amp Type)J
C-120, CleanTW, MatchDR, BG LEAD, 1959-1,
1959-2, 1959-12, SLDN, 5150, MetalLD,
OD-1, OD-2T, DS, FUZZ
Select the type of guitar amp.
JC-120
The sound of a Roland JC-120.
CleanTW
The sound of a standard built-in type vacuum tube amp.
MatchDR
The sound of a recent vacuum tube amp widely used in
blues, rock, and fusion.
BG LEAD
The sound of a vacuum tube amp representative of the.
late 70’s and the 80's.
1959-1
The sound of the large vacuum tube amp stack that was
indispensable to the British hard rack of the 70's, with
input | connected.
1959-2
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