4 SEND/RETurn Stereo 0.25" jack wired Sleeve
=
Ground, Ring
=
Return, Tip
=
Send, post-EQ and
pre-fader. Return impedance 5kohm, nominal level
+4dBm.
3 TAPE input Unbalanced 0.25" jack wired Sleeve
=
Ground, Tip
=
Signal. Drives the input channel or
TAPE monitor section with an unbalanced signal
from the multitrack tape recorder. On expanders,
this is marked "LINE B", for use as an extra LINE
input. Input impedance typically 10kohm. Maximum
input level +30dBm.
o
FIG 1
3
the
when
left
re-
+48V
input
OUT Mono 0.25" jack wired Sleeve
=
Tip
=
Signal. Post fader. Nominal level
Minimum load (for reference level)
DIRECT
Ground,
-10dBV.
25kohms.
5
7 TAPE button switches the input channel from
MIC XLR or LINE jack to the TAPE jack
depressed, so that tape returns can be
connected thus eliminating the need for
6 +48V button. When depressed, applies
phantom supply 'to Pins 2 and 3 of XLR MIC
for use with condenser microphones.
The 16.8.16 input channel is shown, features
unique to the 16.4.8 are shown in
~Jtil<l.1
areas.
1 MIC input Electronically balanced female XLR
wired Pin 1
=
Ground, Pin 2
=
-ve phase, Pin 3
=
+ve phase. The channel may be driven with a low
impedance balanced microphone. Gain range 15 to
60dB. Input impedance typically 2kohm (balanced).
Maximum input level OdBm.
2 LINE input Electronically balanced stereo 0.25"
jack wired Sleeve
=
Ground, Ring
=
-ve phase, Tip
=
+ve phase. For unbalanced use, use a mono jack
plug wired Sleeve
=
Ground, Tip
=
Signal. Gain
range -15 to +30dB. Input impedance greater than
60kohm (balanced), greater than 30kohm
(unbalanced). Maximum input level +30dBm.
2:1 INPUT CHANNEL (Referring to FIG 1)
MIXDOWN