UNIVERSAL POWER SUPPLY
The included power supply is provided with a U.S. prong assembly in-
stalled. To change the prong assembly to one of the included European,
UK or Australia/New Zealand styles, be sure the power supply is un-
plugged and follow these instructions:
Press the PUSH switch to release the
prong assembly. Slide the assembly up
(about halfway) to align the side tabs of
the prong assembly with the slots of
the power supply housing. Then pull up
to remove the assembly. Choose the
new prong assembly, align the side tabs
with the slot of the housing and slide
down until it clicks into position.
NOTE: You cannot slide the prong
assembly all the way out.
THE INS AND OUTS
1/4” INPUT: 1megOhm instrument level. For normal operation, sig-
nal level to Input should be close to that of a standard electric guitar
(approx -10dBm / 250mV). The input is designed with the same sensi-
tivity and loading characteristic as a tube amp.
1/4” UNIVERSAL OUTPUT: Unbalanced 1kOhm Low Z instru-
ment level output. This output can be connected to High Z guitar ampli-
fiers (or effects) as well as Low Z mixer and computer inputs. Output level
is unity gain when pedal is in bypass mode. It also drives long cables without
loss of signal integrity, even in bypass.
BALANCED XLR OUTPUT & GROUND
CONNECT SWITCH: Balanced low Z output. When
the Ground Connect switch is engaged, the ground con-
nects. Disengaged, the ground of your stage system and
other interconnected gear is lifted (isolated) from the
ground of the mixing console.
3
4
!! WARNING !! DO NOT RUN THE SPEAKER OUT-
PUT OF ANY AMP directly into a Fly Rig/SansAmp
input. Severe damage will result.
GUIDE TO FUNCTIONS and CONTROLS
(in order of signal flow)
SANSAMP Sections:
T
he all-analog SansAmp technology is designed for a smooth, even re-
s
ponse which enables the Fly Rig to run directly into mixers of recording
d
esks and PA systems, as well as augment your existing amplifier set-up. It
c
an also be used to enhance previously recorded tracks.
SANSAMP WASSER
The SansAmp Wasser (Water) section focuses on clean amplifier tones.
COMP: A single, continuously variable control to dial in just the right
amount of compression you need. A little goes a long way, from soft
and barely noticeable to super squashy, infinite sustain. Utilizes old
school, all-analog, FET-based technology from the ‘50s and ‘60s, which is
inherently warmer, more transparent and more musical than other meth-
ods of compression.
LOW and HIGH: On-board post-EQ section gives you full control,
like having a studio mixing board at your fingertips. Unlike passive tone
controls that only cut, these active controls cut and boost. At 12 o’-
clock, they are flat.
LOW is tuned to ±12dB @ 120 Hz
HIGH is tuned to ±12dB @ 3.3 kHz
LEVEL: Adjusts the output level of the unit when the SansAmp sec-
tion is engaged. This control has an exceptionally wide range for maxi-
mum compatibility with a variety of equipment.
BITE Switch: Engaged (in position), Bite activates a presence boost
to the SansAmp tube amplifier emulation circuitry to provide extra
clarity to the top end. It adds definition to your notes, provides an edgy
sound with increased harmonics and a slight breakup.
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