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Technics SX-G5 - Page 17

Technics SX-G5
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Knee
Lever
eWith
the
sustain
button
ON,
operate
the
knee
lever
located
under
the
keyboards
with
the
right
knee.
This
allows
you
to
quickly
turn
sustain
ON
and
OFF
anytime
during
performance.
Sustain
button
upper
lower
percussive
presets
Knee
lever
With
sustain
button
ON
With
sustain
button
ON
Turn
left
when
not
(——7
in
use
Sustain
at
work
for
tab
voices
Sustain
at
work
for
percussive
presets
Raise
when
in
use
No
sustain
at
work
No
sustain
at
work
Operate
with
the
right
knee
Sustain
at
work
for
any
group
other
than
percussive
presets
and
solo
synthe
presets
of
the
orchestral
conductor
Sustain
at
work
for
percussive
presets
You
can
turn
other
functions
on
and
off
by
moving
the
knee
lever.
(Refer
to
@.)
20)
Reverb
...,/Digital
REVEPD
cr:
digital
reverb
Gq]
(G7-F3)
@)
Slow
Attack
slow
attack
sal
@2)
Expression
Pedal
The
expression
pedal
regulates
the
loudness
of
ALL
the
organ
voices,
regardless
of
how
individual
volume
controls
may
be
set.
Pushing
down
with
your
toe
makes
the
organ
louder;
pushing
down
with
your
heel
makes
the
tone
softer.
The
“halfway
down”
position
of
the
pedal
represents
the
medium
volume
range
this
is
always
a
good
starting
point
if
dynamic
marks
don't
appear
in
the
music.
Reverb,
is
an
abbreviation
for
reverberation.
If
you’ve
walked
down
a
narrow,
uncarpeted
hallway,
you
may
recall
that
your
footsteps
“echoed”,
or
became
louder
than
usual.
This
was
due
to
the
sound
waves
bouncing
from
the
walls
and
ceiling
instead
of
being
absorbed
into
the
carpeting,
furniture
and
draperies.
Because
the
furnishings
in
most
rooms
usually
absorb
all
the
echo,
your
Technics
organ
is
equipped
with
reverb
to
electronically
replace
the
echo
which
is
lost.
Reverb
is
effective
with
most
general
settings.
When
this
button
is
not
used,
the
response
of
the
upper
tab
voices
is
instant
press
a
key
and
you
will
hear
a
musical
tone
immediately.
Press
the
slow
attack
button,
however,
and
you'll
notice
a
slight
hesitation
between
the
time
you
press
the
key
and
the
time
you
hear
the
tone.
This
effect
is
especially
useful
for
imitating
instruments
that
have
a
natural
slow
attack
such
as
the
accordion,
harmonica,
or
the
pipe
organ.
15

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