Technics SX-G5 - Page 9

® Lower Tab Voices
— tab voices —
digital aaa: ee
flute ‘tute flute i ra ie
2%
eS
© Pedal Voices
bass
bas
harmonic control
synthe
bass
ensemble | chopper
bass bass
pipe
bass I
base bass. bass I
~~ volume (G7-F3)
These buttons utilize the PCM system to provide the full body
of real-life bass sounds. These buttons are used individually,
but bass 8 and bass 16 can be combined.
Bass 8 is useful for playing rhythmic music and adds
definition to your pedal notes when combined with Bass 16.
Use it alone for light, quiet bass tones.
Bass 16 is a deep, flute-like organ voice that provides a solid
foundation for all your music; it is especially effective for
sacred music and the classics.
nsemble bass is suitable for use as an accompaniment with
rchestral music. (G7:F3)
These voices are heard when you play on the lower keyboard;
they are used mostly for accompaniment, played by your left
hand. Try them individually and in combination.
Flute 8, 4, 22/3’, 2, 11/’, 1’ are the voices you'll most often use
for accompaniment, especially for the brighter-sounding
solo voices.
String 8, 4 add brilliance to any voice combination. Try it with
the flutes.
Volume buttons let you adjust the volume.
Acoustic bass adds the realistic sound of this instrument to
your music.
Chopper bass is an exciting voice produced by the electric
bass. (G7-F3)
Electric bass is suited to contemporary music.
Pipe bass | is a full voice pipe organ sound. (G7-F3)
Pipe bass II is one of the 16’ principal voices. (G7-F3)
Tuba is similar to the orchestral instrument it's named after—
a broad, full voice with a more defined sound than the bass 16
voice.
Synthe bass provides a good accompaniment for the
contemporary electric orchestral and synthesized sounds.
Volume allows you to adjust the loudness of the pedal tones
in relation to the upper and lower keyboard voices.
Harmonic control buttons adjust tone brilliance. (G7-F3)
@
Upper
Percussive
Tone
volume long
Ss =) —
(——— Percussive tone
4 22s 2 lick
*G7-F3
This feature adds a tone with a fast initial attack to any of the
upper voice tab sounds; or it may be used alone. The effect is
what you hear when a player strikes a piano key or plucks a
banjo string. It is particularly useful when you play jazz or
rock organ sounds.
The tabs with footage numbers create tones of those pitch
levels; use the fractional voice sparingly — as spices in
cooking.
Click is used to provide a “pop” effect each time you press a
key on your upper keyboard.
Long causes the percussive tones to decay more slowly.
Volume buttons let you adjust the volume