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General| Brand | u-he |
|---|---|
| Model | Bazille |
| Category | Synthesizer |
| Language | English |
Guide to installing the Bazille software.
Explains CPU demands and audio quality settings for Bazille.
Highlights improvements in the current version of Bazille.
Details the default installation paths for Bazille files on Win and Mac.
Lists websites for downloads, news, support, forums, and tutorials.
Describes the main synthesis panels in the SYNTH window.
Details panels containing signal processors and modulation sources.
Explains how to use knobs and sliders for parameter adjustment.
Describes selectors for options and sockets for patching connections.
Covers support for multichannel MIDI input and performance controls.
Explains Bazille's handling of polyphonic aftertouch data.
Details the control bar's page switches and the patch name display.
Explains how to save presets and use undo/redo features.
Describes how multicore distributes voices across CPU cores for performance.
Explains the HQ option for improved audio quality at higher CPU cost.
Details the different visual styles available for the oscilloscope.
Introduces the patch browser interface and its functions.
Explains how to navigate directories and load presets.
Describes the factory preset folders and MIDI program management.
Explains the recommended location for saving custom presets.
Details Search History, Favourites, Junk, Tags, and Author folders.
Explains the options available when right-clicking on a folder.
Lists functions for managing individual presets like marking favourites or junking.
Describes how to view and manage detailed patch information.
Explains how to drag and drop presets for library management.
Details the process of installing soundsets via drag and drop or menu option.
Explains how to use tags for easy preset finding via different methods.
Describes how to search for presets using categories, features, and character tags.
Explains how to select and refine searches using preset categories and subcategories.
Details how to use text strings, scope, and logic operators in searches.
Overview of the five main sections of an oscillator: Tune, Phase/FM, PD, Fractal Resonance, Outputs.
Explains the Tune knob and its modes for setting pitch.
Details the Modify knob's functions for detuning and frequency manipulation.
Describes how the Phase knob sets the starting point of the waveform cycle.
Explains phase modulation and its various modes for FM synthesis.
Details the PD knob and wave selectors for phase distortion effects.
Describes the lower selector for setting the basic oscillator waveform before distortion.
Explains the Fractalize knob and selector for shaping waveforms.
Describes the volume controls for the oscillator's audio outputs.
Explains how to set the LFO speed using absolute times or host tempo synchronization.
Details how to modulate the LFO rate using external sources.
Describes the Wave knob for shaping LFO waveforms like triangle and pulse.
Explains phase control for LFO start position and delay for fading in the LFO.
Details filter input gain, overdrive, and cutoff frequency controls.
Explains resonance control and the available lowpass, bandpass, and highpass filter types.
Describes key follow for pitch tracking and resonance modulation.
Lists the available filter outputs and specifics for filters 3 & 4.
Explains the standard Attack, Decay, Sustain, and Release parameters.
Details modulation options like Rate Mod, Fall/Rise, Amp Mod, and Velocity.
Describes the volume and stereo pan controls for output channels.
Explains the dual signal inputs for summing signals into the output channels.
Explains signal inversion and full-wave rectification effects.
Details Sample & Hold for voltage sampling and Lag Generators for smoothing.
Describes how the Quantizer forces signals into discrete voltage steps.
Explains the white and pink noise outputs for sound design.
Details MIDI data output sockets like PitchW, ModW, and aftertouch.
Describes internal sources for random values, DC offsets, and voice stacking.
Explains how CV inputs allow external signals to be used as modulation sources.
Describes the multiplex as a versatile mixer/splitter for signals.
Explains using the multiplex for ring modulation and audio crossfading.
Details amplitude modulation and fading signals using the multiplex.
Explains unipolar and bipolar crossfading with modulation sources.
Explains Divide, Time Base, and Trigger for setting sequencer speed and behavior.
Describes selecting snapshots and available context menu options.
Explains how to morph between snapshots using the dial and Rotate knob.
Details the 16 sliders for editing snapshot data and precise pitch setting.
Explains the tap outputs for dividing sequences and tap speed factors.
Describes triggering envelopes using the modulation sequencer (ModSeq1/ModSeq2).
Explains how sequencer values are interpreted as gate on/off and velocity.
Covers voice allocation, tuning, and performance-related settings.
Introduces mapping generators and the Distortion, Delay, Phaser, Reverb effects.
Explains voice modes (Poly, Mono, Legato, Duo) and priority settings.
Details voice count, unison stacking, detuning, and click reduction.
Covers pitch bend ranges and vibrato depth using LFO 1.
Explains semitone transposition and fine-tuning adjustments.
Details glide speed, offset for specific voices/filters, and mode selection.
Explains glide strength and per-voice pitch offsets for stacking.
Describes how to use .TUN files for microtuning Bazille.
Explains Key, Map Smooth, Map Quantize, and Increment modes.
Details how to select modulators for processing within maps.
Lists tools for copying, pasting, drawing shapes, and transforming maps.
Explains quantizing map values and spectralize for harmonic series transformation.
Details the Snappy switch for exponential envelopes and F/R Range limiters.
Explains triggering envelopes via Gate, Loop, LFO, or ModSeq.
Details parameters for filters 3 and 4, noting differences from filters 1 & 2.
Explains Up/Hold/Down/Rest and Clock Mode for ramp generation.
Explains how to enable, disable, and reorder effects.
Details the Distortion unit's types, input, output, and EQ controls.
Describes various distortion types and their sonic characteristics.
Explains tilt EQs and post-distortion filters for tone shaping.
Details delay timing, volume, wow emulation, and feedback regeneration.
Explains feedback path filters and the dry signal level control.
Describes Phaser types (Stoned, Flanged) and LFO rate synchronization.
Explains LFO depth, phase offset, and stereo width for phasing.
Details tone control, damping, and decay characteristics of spring reverb.
Explains drive, spring tension, stereo width, and shake effect.
Describes how to map MIDI controllers to Bazille parameters.
Explains MIDI Control Change messages and their usage.
Details how to add, edit, and remove MIDI CC assignments.
Explains different modes (Normal, Integer, Fine) and types (7-bit, 14-bit) for MIDI assignments.
Covers mouse wheel raster, cable opacity, cable style, and GUI size settings.
Details default skin, gamma, oscilloscope, and text antialiasing options.
Explains the option to save presets directly to the User folder.
Discusses base latency for preventing crackles and default controls for A/B.
Provides general tips on CPU usage, experimentation, patch organization, and references.
Explains how to achieve FM synthesis using oscillators and modulation.
Details creating sub-oscillators and Pulse Width Modulation (PWM) effects.
Covers additional PWM techniques and creating 'wobbly teeth' effects.
Explains creating multi-cycle squares and other waveform shapes.
Tips for making LFOs more dynamic and achieving filter self-oscillation.
Tricks for filter cutoff modulation and creating ping sounds.
Techniques for DC removal and boosting low frequencies with filters.
Explains voice stacking for chords, panning, and modulating LFO rates.
Tips for using 2-step, 12-step, and 256-step maps for modulation.
Details using quantizers for bit-crushing and octave transposition.
Techniques for frequency doubling and smoothing LFO modulation.
Tips for boosting signals and balancing multiple modulators.
Methods for achieving precise tuning and jumping between sequencer snapshots.
Using mapping generators and quantizers to control sequencer rotation.
Tips for triggering envelopes using LFOs with phase and wave control.
Using distortion as EQ and phaser as a resonator.
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