Need help?Do you have a question about the Waldorf QUANTUM and is the answer not in the manual?
Details the physical layout and controls on the front panel of the Waldorf Quantum synthesizer.
Explains the various input and output jacks and ports located on the rear panel of the Quantum.
Describes the function and operation of the pitch bend and modulation wheels.
Provides instructions on placing the Quantum on a stable surface before connecting.
Details how to connect the Quantum to audio equipment and computers via various ports.
Explains how to control the overall output volume of the Quantum, affecting main and headphone outputs.
Describes the available mode pages accessed via panel buttons or the touchscreen display.
Explains the overview, navigation, and control functions of the Quantum's touchscreen display.
Details the different methods for loading sound programs and presets into the Quantum.
Explains how to access and edit sound parameters using front panel controls and the touchscreen display.
Guides users on how to save edited sound programs and presets, including naming and bank selection.
Explains the dual sound mode, allowing simultaneous playback of two sounds as layered or split sounds.
Introduces the various sound-shaping components and the audio signal flow within the Quantum.
Details the three oscillators and their various models like Wavetable, Waveform, and Resonator.
Explains wavetable synthesis principles and parameters for the Wavetable oscillator.
Describes the standard oscillator model for creating analog waveforms and its parameters.
Explains the concept of the Resonator oscillator and its panel parameters.
Introduces Kernel synthesis, a modular approach to combining up to six audio kernels for sound design.
Explains how to control the volumes of the three oscillators and their mixer settings.
Details the Glide effect, also known as Portamento, for continuous pitch sliding between notes.
Describes the two analog lowpass filters, their modes, and panel parameters like Cutoff and Resonance.
Explains the digital filters and signal enhancer effects, including Drive and Bit Crusher.
Details the six programmable envelopes for sound shaping, including ADSR parameters.
Introduces the six low-frequency oscillators (LFOs) used for modulation purposes, explaining their parameters.
Describes the Komplex Modulator as a complex LFO with two curves for morphing atmospheres and sound textures.
Explains the five effect units, their types, basic parameters, and deeper editing options.
Explains how to access and use the Perform display page for live performance setups.
Describes the Favorites tab for setting up 20 sound programs per Set for faster selection during live performance.
Introduces the arpeggiator and step sequencer features found within the Autoplay display page.
Explains how the Arpeggiator splits chords into individual notes and repeats them rhythmically.
Details the programmable step sequencer, allowing definition of note length, velocity, and pitch for up to 32 steps.
Introduces the parameter sequencer for parameter modulation purposes, similar to the step sequencer.
Explains how the 4x4 pads in the display can be used for sequential playback based on algorithm parameters.
Describes the XY pad for two-dimensional control based on selected modulation parameters.
Explains how to assign individual notes to the 16 display pads for note mode.
Details how to enter scale mode, where notes are assigned according to scale types and root pitches.
Explains how to enter chord mode, assigning specific chord types to display pads.
Covers settings for two sound layers, audio output routing, Unisono, and Glide functions.
Explains the dual sound mode and how two sounds can be played simultaneously as layered or split sounds.
Determines the input volume for an external audio signal for the selected layer.
Explains how to determine the signal flow for incoming audio signals.
Determines the volume of the selected layer.
Determines the panning of the selected layer.
Determines the gain for an external signal, adapting the overall level.
Determines if the selected layer sound is sent to the Quantum's Main outputs.
Determines if the selected layer sound is sent to the Quantum's Aux outputs.
Specifies how keyboard velocity affects volume, allowing for expressive sound.
Allows adjustment of polyphonic aftertouch attack behavior when a key is held and pressed.
Allows adjustment of polyphonic aftertouch release behavior when a key is released.
Allows control over the overall pitch variation, including Glide parameters.
Activates or deactivates the Glide effect for continuous pitch sliding between notes.
Determines the time duration for the glide effect, influencing its character.
Allows selection between two glide modes: Onset and Legato.
Controls global pitch variation across all oscillators, simulating analog circuit tolerances.
Determines layer mode and voice allocation for analog/digital filters.
Specifies how the 16 available voices (8 analog, 8 digital) are used.
Offers three modes (Single, Split, Layered) for configuring sound layers.
Determines the number of voices stacked when playing a note, affecting polyphony and voice priority.
Controls the detuning amount for unison voices, creating a thicker sound.
Controls the panning of unison voices, affecting their stereo placement.
Controls the delay applied to unison voices relative to the first played note.
Sets the number of voices available for Layer 1 and Layer 2 when in Split Mode.
Determines the keyboard range for Layer 1 and Layer 2 when in Split Mode.
Specifies which Layer is affected by incoming Mod Wheel, Pitch Bend, Aftertouch, etc.
Allows setup of panning, level, master volume, and compression for each layer.
Determines the volume level for the corresponding layer.
Determines the panning position for the corresponding layer.
Controls the overall output volume of the audio signal, affecting Main Outs and Headphones Out.
Reduces the dynamic range of the audio signal, making it sound louder and more assertive.
Activates or deactivates Waldorf bass emphasis for the overall audio signal.
Offers three modes (Single, Split, Layered) for configuring sound layers.
Allows selection of graphic representation for the current sound, including Source, Type, and Mode.
Enables settings for the overall tuning of the Quantum, including Transpose and Master Tuning.
Allows creation of equal tunings from scratch for user-defined scales.
Provides a step-by-step guide on how to perform sample recording using the Quantum's audio recorder.
Explains basic sample edits like selecting, zooming, and defining sample areas for further editing.
Details settings for MIDI inputs, including DIN In, USB Controller In, and USB Computer In.
Explains MIDI Polyphonic Expression (MPE) and its application for expressive sound control.
Covers settings for MIDI outputs, including State, Channel, Send CC, and NRPN.
Determines how the Quantum reacts to incoming MIDI Clock messages for synchronization.
Explains how to view, change, and set up MIDI Control Change mappings for panel parameters.
Manages general settings like Load at Startup, Display Brightness, LED Brightness, and Screen Saver.
Allows customization of button backlight LEDs and personal color schemes for parameter sections.
Controls the behavior of value changes with potentiometers (dials) like Immediate, Pick-Up, and Catch.
Controls the behavior of value changes with the touchscreen display (Direct, Relative).
Determines if the touchscreen display automatically opens parameter pages when editing.
Sets the duration for which popup windows/menus are displayed on the touchscreen.
Determines the default display screen shown when the Perform button is pressed.
Manages output routing settings for patches, allowing global overrides for Main/Aux outputs.
Provides information on the operating system version, serial number (UID), and unit running time.
Allows calibration of various hardware components including keyboard, wheels, pedals, filters, and display.
Provides tools to load, manage, and edit samples, including waveform representation and file list.
Allows selection of a specific sample from a loaded list for further editing.
Defines the velocity range for triggering samples, allowing velocity-sensitive playback.
Tunes the pitch of selected samples to match desired tone pitch or adjust playback pitch.
Sets the keyboard range for selected samples to create multi-samples with individual playback ranges.
Determines the playback mode for loaded samples (Normal, Granular, Live Granular).
Defines the playback rule for multiple samples (Round Robin, Reverse Robin, Ping Pong, Random).
Adapts the stereo width of samples to fit user needs.
Determines the overall gain of all loaded samples.
Provides options to load, manage, and edit samples, including Add, New Dir, Delete, Rename, Move, Play, Cancel.
Enters Sample Edit mode for detailed editing like start/end points and loop settings.
Shows a graphic waveform representation of the selected sample with rulers and file lists.
Determines the start and end positions of a sample for adapting its length.
Defines the loop start and end points for samples when Loop Mode is active.
Sets the playback direction of the sample (Forward or Backward).
Introduces a crossfade for sample loop points when Loop Mode is On or Ping Pong.
Determines the gain for the currently selected sample.
Provides options to zoom in/out, zoom all, or select a specific sample area.
Provides a step-by-step guide on updating the Quantum's operating system software via USB.
Explains wavetable synthesis, where sounds are generated by stepping through waveforms in a wavetable.
Introduces the oscillator as the core synthesizer block, detailing basic waveforms like sine, sawtooth, and square.
Describes the sine wave as the purest tone, its frequency representation, and its use in synthesis.
Explains the sawtooth wave as a popular synthesizer waveform consisting of all harmonics.
Describes the square wave as a special waveform generated by a pulse waveform with 50% pulse width.
Details the pulse wave as a versatile waveform with a shape that can be changed in realtime.
Explains granular synthesis as playing short portions (grains) of samples in various orders.
Introduces filters, explaining the basic function of a lowpass filter and its parameters like cutoff and resonance.
Explains how to export patches via Load > Actions > Export, noting that attached samples are not saved.
Troubleshooting steps for SD card recognition, including orientation, formatting, and potential incompatibilities.
Troubleshooting steps for update file recognition issues, including delays, multiple attempts, and file integrity.
Compares Latch Mode (sustains until key is pressed again) and Chord Mode (sustains last note/chord).
Provides troubleshooting steps for USB recognition issues on macOS and Windows.
Lists available modulation sources, including envelopes, LFOs, MIDI messages, and controllers.
Lists available destinations for modulation, covering oscillator parameters, filters, effects, and more.
Details the Quantum's power supply specifications, including voltage, current, and maximum power consumption.
Provides the physical dimensions (width, depth, height) and total weight of the Quantum.
Explains an arpeggiator as a device that splits chords into individual notes and repeats them rhythmically.
Defines Attack as an envelope parameter describing the ascent rate from starting point to highest value.
Explains Resonance as a filter parameter emphasizing a narrow band around the cutoff frequency.
States that the Quantum has no user-serviceable parts and refers to authorized service centers for repair.
Provides contact information and website for product support and inquiries.
Details the physical layout and controls on the front panel of the Waldorf Quantum synthesizer.
Explains the various input and output jacks and ports located on the rear panel of the Quantum.
Describes the function and operation of the pitch bend and modulation wheels.
Provides instructions on placing the Quantum on a stable surface before connecting.
Details how to connect the Quantum to audio equipment and computers via various ports.
Explains how to control the overall output volume of the Quantum, affecting main and headphone outputs.
Describes the available mode pages accessed via panel buttons or the touchscreen display.
Explains the overview, navigation, and control functions of the Quantum's touchscreen display.
Details the different methods for loading sound programs and presets into the Quantum.
Explains how to access and edit sound parameters using front panel controls and the touchscreen display.
Guides users on how to save edited sound programs and presets, including naming and bank selection.
Explains the dual sound mode, allowing simultaneous playback of two sounds as layered or split sounds.
Introduces the various sound-shaping components and the audio signal flow within the Quantum.
Details the three oscillators and their various models like Wavetable, Waveform, and Resonator.
Explains wavetable synthesis principles and parameters for the Wavetable oscillator.
Describes the standard oscillator model for creating analog waveforms and its parameters.
Explains the concept of the Resonator oscillator and its panel parameters.
Introduces Kernel synthesis, a modular approach to combining up to six audio kernels for sound design.
Explains how to control the volumes of the three oscillators and their mixer settings.
Details the Glide effect, also known as Portamento, for continuous pitch sliding between notes.
Describes the two analog lowpass filters, their modes, and panel parameters like Cutoff and Resonance.
Explains the digital filters and signal enhancer effects, including Drive and Bit Crusher.
Details the six programmable envelopes for sound shaping, including ADSR parameters.
Introduces the six low-frequency oscillators (LFOs) used for modulation purposes, explaining their parameters.
Describes the Komplex Modulator as a complex LFO with two curves for morphing atmospheres and sound textures.
Explains the five effect units, their types, basic parameters, and deeper editing options.
Explains how to access and use the Perform display page for live performance setups.
Describes the Favorites tab for setting up 20 sound programs per Set for faster selection during live performance.
Introduces the arpeggiator and step sequencer features found within the Autoplay display page.
Explains how the Arpeggiator splits chords into individual notes and repeats them rhythmically.
Details the programmable step sequencer, allowing definition of note length, velocity, and pitch for up to 32 steps.
Introduces the parameter sequencer for parameter modulation purposes, similar to the step sequencer.
Explains how the 4x4 pads in the display can be used for sequential playback based on algorithm parameters.
Describes the XY pad for two-dimensional control based on selected modulation parameters.
Explains how to assign individual notes to the 16 display pads for note mode.
Details how to enter scale mode, where notes are assigned according to scale types and root pitches.
Explains how to enter chord mode, assigning specific chord types to display pads.
Covers settings for two sound layers, audio output routing, Unisono, and Glide functions.
Explains the dual sound mode and how two sounds can be played simultaneously as layered or split sounds.
Determines the input volume for an external audio signal for the selected layer.
Explains how to determine the signal flow for incoming audio signals.
Determines the volume of the selected layer.
Determines the panning of the selected layer.
Determines the gain for an external signal, adapting the overall level.
Determines if the selected layer sound is sent to the Quantum's Main outputs.
Determines if the selected layer sound is sent to the Quantum's Aux outputs.
Specifies how keyboard velocity affects volume, allowing for expressive sound.
Allows adjustment of polyphonic aftertouch attack behavior when a key is held and pressed.
Allows adjustment of polyphonic aftertouch release behavior when a key is released.
Allows control over the overall pitch variation, including Glide parameters.
Activates or deactivates the Glide effect for continuous pitch sliding between notes.
Determines the time duration for the glide effect, influencing its character.
Allows selection between two glide modes: Onset and Legato.
Controls global pitch variation across all oscillators, simulating analog circuit tolerances.
Determines layer mode and voice allocation for analog/digital filters.
Specifies how the 16 available voices (8 analog, 8 digital) are used.
Offers three modes (Single, Split, Layered) for configuring sound layers.
Determines the number of voices stacked when playing a note, affecting polyphony and voice priority.
Controls the detuning amount for unison voices, creating a thicker sound.
Controls the panning of unison voices, affecting their stereo placement.
Controls the delay applied to unison voices relative to the first played note.
Sets the number of voices available for Layer 1 and Layer 2 when in Split Mode.
Determines the keyboard range for Layer 1 and Layer 2 when in Split Mode.
Specifies which Layer is affected by incoming Mod Wheel, Pitch Bend, Aftertouch, etc.
Allows setup of panning, level, master volume, and compression for each layer.
Determines the volume level for the corresponding layer.
Determines the panning position for the corresponding layer.
Controls the overall output volume of the audio signal, affecting Main Outs and Headphones Out.
Reduces the dynamic range of the audio signal, making it sound louder and more assertive.
Activates or deactivates Waldorf bass emphasis for the overall audio signal.
Offers three modes (Single, Split, Layered) for configuring sound layers.
Allows selection of graphic representation for the current sound, including Source, Type, and Mode.
Enables settings for the overall tuning of the Quantum, including Transpose and Master Tuning.
Allows creation of equal tunings from scratch for user-defined scales.
Provides a step-by-step guide on how to perform sample recording using the Quantum's audio recorder.
Explains basic sample edits like selecting, zooming, and defining sample areas for further editing.
Details settings for MIDI inputs, including DIN In, USB Controller In, and USB Computer In.
Explains MIDI Polyphonic Expression (MPE) and its application for expressive sound control.
Covers settings for MIDI outputs, including State, Channel, Send CC, and NRPN.
Determines how the Quantum reacts to incoming MIDI Clock messages for synchronization.
Explains how to view, change, and set up MIDI Control Change mappings for panel parameters.
Manages general settings like Load at Startup, Display Brightness, LED Brightness, and Screen Saver.
Allows customization of button backlight LEDs and personal color schemes for parameter sections.
Controls the behavior of value changes with potentiometers (dials) like Immediate, Pick-Up, and Catch.
Controls the behavior of value changes with the touchscreen display (Direct, Relative).
Determines if the touchscreen display automatically opens parameter pages when editing.
Sets the duration for which popup windows/menus are displayed on the touchscreen.
Determines the default display screen shown when the Perform button is pressed.
Manages output routing settings for patches, allowing global overrides for Main/Aux outputs.
Provides information on the operating system version, serial number (UID), and unit running time.
Allows calibration of various hardware components including keyboard, wheels, pedals, filters, and display.
Provides tools to load, manage, and edit samples, including waveform representation and file list.
Allows selection of a specific sample from a loaded list for further editing.
Defines the velocity range for triggering samples, allowing velocity-sensitive playback.
Tunes the pitch of selected samples to match desired tone pitch or adjust playback pitch.
Sets the keyboard range for selected samples to create multi-samples with individual playback ranges.
Determines the playback mode for loaded samples (Normal, Granular, Live Granular).
Defines the playback rule for multiple samples (Round Robin, Reverse Robin, Ping Pong, Random).
Adapts the stereo width of samples to fit user needs.
Determines the overall gain of all loaded samples.
Provides options to load, manage, and edit samples, including Add, New Dir, Delete, Rename, Move, Play, Cancel.
Enters Sample Edit mode for detailed editing like start/end points and loop settings.
Shows a graphic waveform representation of the selected sample with rulers and file lists.
Determines the start and end positions of a sample for adapting its length.
Defines the loop start and end points for samples when Loop Mode is active.
Sets the playback direction of the sample (Forward or Backward).
Introduces a crossfade for sample loop points when Loop Mode is On or Ping Pong.
Determines the gain for the currently selected sample.
Provides options to zoom in/out, zoom all, or select a specific sample area.
Provides a step-by-step guide on updating the Quantum's operating system software via USB.
Explains wavetable synthesis, where sounds are generated by stepping through waveforms in a wavetable.
Introduces the oscillator as the core synthesizer block, detailing basic waveforms like sine, sawtooth, and square.
Describes the sine wave as the purest tone, its frequency representation, and its use in synthesis.
Explains the sawtooth wave as a popular synthesizer waveform consisting of all harmonics.
Describes the square wave as a special waveform generated by a pulse waveform with 50% pulse width.
Details the pulse wave as a versatile waveform with a shape that can be changed in realtime.
Explains granular synthesis as playing short portions (grains) of samples in various orders.
Introduces filters, explaining the basic function of a lowpass filter and its parameters like cutoff and resonance.
Explains how to export patches via Load > Actions > Export, noting that attached samples are not saved.
Troubleshooting steps for SD card recognition, including orientation, formatting, and potential incompatibilities.
Troubleshooting steps for update file recognition issues, including delays, multiple attempts, and file integrity.
Compares Latch Mode (sustains until key is pressed again) and Chord Mode (sustains last note/chord).
Provides troubleshooting steps for USB recognition issues on macOS and Windows.
Lists available modulation sources, including envelopes, LFOs, MIDI messages, and controllers.
Lists available destinations for modulation, covering oscillator parameters, filters, effects, and more.
Details the Quantum's power supply specifications, including voltage, current, and maximum power consumption.
Provides the physical dimensions (width, depth, height) and total weight of the Quantum.
Explains an arpeggiator as a device that splits chords into individual notes and repeats them rhythmically.
Defines Attack as an envelope parameter describing the ascent rate from starting point to highest value.
Explains Resonance as a filter parameter emphasizing a narrow band around the cutoff frequency.
States that the Quantum has no user-serviceable parts and refers to authorized service centers for repair.
Provides contact information and website for product support and inquiries.
General| Oscillators | 3 per voice |
|---|---|
| LFOs | 6 LFOs |
| Envelopes | 6 envelopes |
| Touchscreen | Yes |
| Effects | Yes |
| Weight | 17.8 kg |
| Type | Synthesizer |
| Polyphony | 8 voices |
| Keyboard | 61 keys |
| Connectivity | MIDI, USB, CV/Gate |
| Synthesis Types | Wavetable, Virtual Analog, Granular, Resonator, Kernel |
| Display | 7-inch touchscreen |
| Keyboard Type | Fatar TP8, Velocity sensitive with Aftertouch |
| Effects Types | Reverb, Delay, Chorus, Phaser, EQ |
| Storage | SD card slot |
| Additional Connectivity | Clock In/Out |
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