Effects and
Parameters
Guitar
lmp
COMP Compressor
Use DEPTH
(range
of o-1.2)
parametcr
to ad
jr-rst
sustain
ler.el.
Sustains notes
rvithout
adding
distortion. A
r;lean
sound that keeps tht:
signal
ievel consistent.
This
provides
str-rdio
qualitv
analog crompression
effects.
DIST Distortion
Llse
DEPTH
(0-12)
parameter
to adjust the amount oldistortion.
This
provides
analog distortion that
is rich in harnonit;s for ar;r:uratc
simulation
of tube-amp sound. At DEPTH 0. this u,orks as a tone booster.
EQ
Equalizer
First, select one of the tr,r,o
pattcrns,
then use
the DEI'TH and IiINE para-
meters
to adjust
the effect.
Llse the
PATTERN
(f
or 2)
parameter
to sclect
rvhich pattcrn
l'oLr
rvant.
PATTERN
1: High Boost, Lon'Cut
EQ
DEPTH
(0-10)
controls lor,r'range boost or attenr,ration and
FINE
(0-10)
controls high
rangc
boost or
attenuation.Llse
rvith pler.rtv
of distortion to
prodnr;e a hear-,f metal sound.
Also
adjustatrle
for
a
lestrained sound. Tfris
is a high-lor'r, shelving effcct.
PI\TTERN 2: Exciter
DEPTH
(0-10)
and FINE
(0-1
0).
A bright tube amp tone using an exciter
effect where DEPTH r;ontrols enhance
level
and
FINE
controls
frcqucnctr'.
Modulation effects
MODULATION GROUP
(PITC,
PHA, FLA, CHO)
One
J'ronr
this
groLtp r:onbe used at otinte
(but
not n'ith SFX).
PITC Pitch
shift
[Jsc
PITCH
(-12-O-+12
range)to shift
pitch
in semitone steps up to one
octave hight:r or lolver.
l
lsc
FINII
(-10-0-+10)
for fine
ad
justment
above or below PITCH setting.
tJse BALANCE
(0-10)
to
adjr-rst betn'een shifted and direct sound.
This is usecl for harmonies, doubling, and thlckening effects.
First
adjr,rst
PITCH,
then
FINE. Trv
crcating rinison,
fifths. and non-cvclic chorus-like
e ffer;t s.
PHA Phaser and Midrange Boost
LIse PATTERN
(1
or 2) to select Phaser or Midrange
Boost.
PATTERN 1: Phoser
Llse
DEPTH
(0-10)
to ad
just
the amount of
modulation and rr:sonanr;e.
LIse FREQ
(0-50)
to adjust
modulation speed.
This
creates rotating speaker sounds and other
phasc shiftr:d efft-'r;ts.
PATTERN 2: Xlidrange Boost
Llse
DEPTH
(0^-1
0) to adjust level of
peak
boost.
Llse FREQ
[0-50)
to
ad
just
midrange frequt-.ncv.
Midrange boost
gives
clifferent amplifier characteristics. It allor,vs the
gnitarlst to crcate
a'rtide
range
of
personal
tonal stvlcs.
FLA Flanger
L.lse DEPTH
[0-10)
to adjust amount of modr-rlation.
LJse
FREQ
(0-50)
to adjust modulation speed.
Llse PEAK
(0-10)
to acljust
strength of thc
resonanr;e peak.
Flanging prodrices peaks
that are harmonicallv related, unlike simple
phasing. At high pcak levels it produces
almost
n-retallir; ringing sounds.
CHO Chorus
LIse
DEPTH
(0-10)
to ad
just
the arnount of modulation.
LIser FREQ
(0"10)
to ad
just
modulation specrl.
Llsc
PATTERN
[1
or
2)
to select mono or stereo.
Like flanging, chorus ricpcncls on thr: interar;tion betn'een delavc.d
and
non-rlelar,ecl signal r;omponents. Like ptrasing. it r;an
I-relp
create a
full-
bodicd
sourtcl.
effects
11
't2
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