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General| Brand | Zoom |
|---|---|
| Model | 9050 |
| Category | Recording Equipment |
| Language | English |
Specifies the need for the correct AC adaptor (AD0002) and voltage considerations.
Lists environments to avoid (temperature extremes, humidity, dust, vibration).
Advises against excessive force and warns about dropping or impact.
States that opening the case or modifying the product can cause damage.
Instructs to turn off power before connecting/disconnecting cables.
Warns about placing the 9050 near other electrical equipment due to digital circuitry.
Advises using a soft, dry cloth and avoiding abrasive cleaners or solvents.
Defines terms like Effect Module, Effect Types, Patch/Bank, Parameter, and Page.
Lists and describes the basic effect blocks (COMP, DIST, ZNR, EQ, AMP, EFF1, EFF2, SFX, REV).
Explains that effect modules have different programs called effect types.
Explains how patches combine effect modules and the storage capacity.
Defines parameters as elements that determine sound and can be set for each module.
Explains that the display is divided into pages when parameter information is extensive.
Allows selecting and playing patches; the default mode on power-up.
Allows editing patch parameters.
Used for functions like naming patches and setting output modes.
Details the controls and terminals on the front panel.
Details connecting the AC adapter, instruments, and speakers.
Explains how to set the input gain to match the instrument and amp.
Guides to enter Utility Mode to set system characteristics and playback method.
Explains how to use DEC/INC+ keys to adjust parameters like LINE/AMP.
Lists available operations like selecting patches, bypassing effects, volume control, auto tuner, ZNR.
Explains how to enter Play Mode, usually by pressing EXIT or powering on.
Describes the information shown on the display in Play Mode (Patch No., Bank, Name, Output Mode, Master Level).
Explains how to use the BYPASS key for auto tuning and muting.
Explains how to use DEC/INC+ keys to change the reference pitch for tuning.
Explains how patches are built from effect modules and how signals are processed.
Lists the basic effect blocks (COMP, DIST, ZNR, EQ, AMP, EFF1, EFF2, SFX, REV).
Details conditions for Series 1 routing (stereo output only on REV).
Details conditions for Series 2 routing (stereo output on EFF2 and REV).
Explains using EDIT < / > keys to enter Edit Mode for specific modules.
Guides on using EDIT < / > keys to cycle through modules for editing.
Explains the parameter for selecting the effect type within a module.
Describes the corresponding parameters for the selected effect type.
Explains using data entry controls to change parameter values and the indication of changes.
Details how to turn an effect module OFF using the BYPASS key in Edit Mode.
Determines which parameter is affected by real-time modulation.
Lists MIDI messages (Control Change, Note Number, Velocity, etc.) as sources.
Sets the range for parameter changes via real-time modulation.
Explains how to select a different number for saving a patch.
Lists available functions: output mode, renaming patches, MIDI setup, patch/preset recall.
Explains how to enter Utility Mode from Play Mode.
Guides on returning to Play Mode from Utility Mode using the EXIT key.
Explains how to cycle through Utility Mode display pages using UTILITY/PAGE.
Sets playback configuration (LINE/AMP, STEREO/MONO).
Selects output mode for matching playback system (LINE for PA, AMP for guitar).
Switches output between stereo and mono, mixing signals if mono.
Allows naming selected patches, up to fifteen characters.
Sets the MIDI channel for transmitting/receiving messages and Omni mode.
Determines the MIDI channel for program and control change messages.
Enables receiving messages on all MIDI channels regardless of channel settings.
Determines how the 9050 responds to program change messages.
Maps patches to messages for easier selection via FC50 or synth.
Uses MIDI bank select and program change for direct patch selection.
Maps MIDI program change numbers to 9050 patch numbers for remote control.
Assigns a program change number to a 9050 patch.
Selects bank and patch number using EDIT/DEC/INC+ keys.
Controls 9050 via REMOTE jack using FC50 or 8050. MIDI OUT acts as THRU.
Controls 9050 via MIDI IN jack using synth. MIDI OUT acts as THRU.
Controls 9050 via MIDI IN jack using synth. MIDI OUT can output system exclusive data.
Transmits patch settings and MIDI data to other equipment via MIDI.
Uses the program change table to assign patch numbers to program change numbers for performance.
Guides on connecting the FC50 and setting up MIDI channels and modes.
Explains how to use FC50 number switches for bypass/mute functions.
Describes how to engage Bypass or Mute mode using the FC50.
Guides on setting 9050 to Edit Mode and selecting the last page for modulation.
Details parameters for the Compressor effect (DPT, ATK, Bsw, LVL).
Explains the Limiter effect and its parameters.
Describes the Distortion effect module, including external effects and SEND/RETURN jacks.
Explains the Overdrive effect simulating a tube amp at full throttle.
Explains the Crunch effect for slightly distorted tube amp sound.
Describes a new enhanced distortion effect for rich, solid distortion.
Allows signal level and tone quality adjustment for external equipment.
Details the Equalizer effect module, including four-band guitar EQ.
Simulates a four-band EQ found on guitar amplifiers.
Enhances treble range for clearer, vocoder-like sound.
Features thirteen mono effects, including Pitch Shifter and Phase.
Alters pitch of effect sound over a range of two octaves.
Stereo phase shifter with deep, rich chorus effect.
Stereo chorus with expansive, spacious feeling.
Simple auto wah where effect degree depends on input level.
Unique auto wah effect with voice-like timbre modulation.
Unusual effect using a comb filter like an equalizer, creating phase sounds.
Tremolo effect with various capabilities, including sample-and-hold for arpeggios.
Sample-and-hold function for creating automatic arpeggios.
Features twelve effects, including stereo effects.
Wide range of sound variation, manually changeable, also usable as delayed flanger.
Pitch variation/detuning varies with input signal level.
Applies ring modulation to sharp picked attack sounds.
Enhanced Cry effect for clear, vocoder-like sound.
Special effect where initial signal input triggers an explosive sound.
Simulates the sound of a sitar.
Combines pitch shift for feedback with ducking effect.
Reverb sound suppressed when direct sound present, output when direct sound stops.
Hall-type reverb effect for rich ambience on string sounds.
Thicker reverb density than Reverb 1, effective for percussive sounds.
Emphasizes simulated early reflections over reverberant wash for clarity.
Random pattern early reflection program with envelope-controlled gate reverb.
Multi-tap delay where tap interval can change over time.
Special delay effect with repeats alternating between left and right channels.
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