already contain volume changes and effects applied to the tracks in the source sequence.
Values applied at all of these levels will be combined for the final mix.
To help you view and edit the audio settings of any clip or track, Adobe Premiere Pro
provides multiple views of the same audio data.
• Track volume or effect values can be viewed and edited both in the Audio Mixer
window (see “Working with the Audio Mixer window” on page 173) and in the Timeline
window. Make sure that the track display is set to Show Track Keyframes or Show Track
Volume.
• Clip volume or effect values can be viewed and edited both in the Effect Controls
window (see “Applying and controlling Standard effects” on page 244) and in the
Timeline window. Make sure that the track display is set to Show Clip Keyframes or
Show Clip Volume.
As described above, an audio clip can be modified by an effect applied to the clip and an
effect applied to the track that contains the clip. Consider applying effects in a planned,
systematic way to avoid redundant or conflicting settings on the same clip.
About audio channels and tracks
An Adobe Premiere Pro sequence can contain any combination of mono, stereo, and 5.1
surround tracks. You can add or delete tracks at any time, but you can’t change the
number of channels a track uses after you first create it. A sequence always contains a
master track that controls the combined output for all tracks in the sequence. For
information
about creating new sequences or tracks, see “Adding, renaming, and deleting
tracks” on page 117.
Sequence audio can contain two kinds of tracks. Regular audio tracks contain actual
audio.
Submix tracks output the combined signals of tracks routed to it; submix tracks are useful
for managing mixes and effects (see “Working with submixes” on page 187). Audio and
submix tracks can be any of the following types, which are based on the number of
channels in the track:
Mono (monophonic) Contains one channel.
Stereo Contains two channels (left and right).
5.1 Contains three front channels (left, center, and right), two rear or surround channels
(left and right), and a low-frequency effects (LFE) channel routed to a subwoofer speaker.
Using Help | Contents | Index Back 173
Adobe Premiere Pro Help Mixing Audio
Using Help | Contents | Index Back 173
Understanding how Adobe Premiere Pro applies audio settings
When you import video or audio, Adobe Premiere Pro first conforms its audio to the audio
settings specified in the New Project dialog box when the project was created; see
“Conforming audio” on page 192. As you edit sequences, Adobe Premiere Pro processes
audio in the following order, from first to last:
1 Gain adjustments applied to clips by using the Clip > Audio Options > Audio Gain
command.
2 Effects applied to clips.
3 Track settings are processed in the following order: Pre-fader effects, pre-fader sends,
mute, fader, meter, post-fader effects, post-fader sends, and then pan/balance position.
4 Track output volume from left to right in the Audio Mixer window, from audio tracks to
submix tracks, ending at the Master track.
Note: The default signal path can be modified by sends (see “Using sends” on page 188)
or
by changing a track’s output setting (see “Routing track output” on page 183).
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