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Adobe PREMIER PRO 7 - Adding clips to a sequence

Adobe PREMIER PRO 7
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To create a chapter link, enter the chapter name and number in the Chapter field.
To create a Web link, enter a URL and Frame Target.
3 To enter comments or specify options for other sequence markers, click Prev or Next.
4 Repeat steps 2–3 until you are finished modifying sequence markers, and click OK.
About marker duration
The default duration for marker comments is one frame, but you can increase the duration
to help create chapter and Web links. In the Timeline window, the right edge of a marker’s
icon is extended to indicate its duration.
About chapter links
You can also create a sequence marker as a chapter reference point, similar to chapters
used in CD-ROM and DVD discs. Like the chapters of a book, a chapter link divides a
movie
into segments. Chapter links are supported in QuickTime movies and DVD.
Note: DVD authoring programs such as Adobe Encore DVD adhere to DVD guidelines
that
restrict the proximity of chapter links. When setting markers for use as chapter links, make
sure to space them at least 15 frames apart, or by the amount required by your authoring
software. Otherwise, your authoring program may move the chapter links automatically.
About Web links
By typing a Uniform Resource Locator (URL) under Web Links in the Marker dialog box,
you
create an automatic link to that site at the marker’s location in the sequence. Adobe
Premiere Pro embeds this information within movies. When these movies are included in
Web pages created by programs such as Adobe GoLive
®, the embedded URL is
recognized
at playback, initiating a jump to the specified page. You can further define the link by
typing a specific frame number within the site for Target Frame. Web link markers work
only with sequence markers and supported output formats, such as QuickTime.
Adding clips to a sequence
You usually add clips to a sequence either by dragging or by using editing controls in the
Monitor window. Some editors favor the drag-and-drop method because they find a
graphical, mouse-oriented approach easier and more intuitive. Others prefer using the
Monitor window’s editing controls to take advantage of keyboard shortcuts; this allows
them to perform most edits entirely within the Monitor window, without switching to the
Timeline window. You can use either method at any time and can switch between them.
Alternatively, you can have Adobe Premiere Pro automatically assemble the sequence
according to how you arrange or select the clips in the Project window.
Using Help | Contents | Index Back 127
Adobe Premiere Pro Help Assembling a Sequence
Using Help | Contents | Index Back 127
About insert and overlay edits
Whether you drag clips or use Monitor window controls, you can choose to perform an
insert edit or overlay edit. In an insert edit, adding a clip to the sequence forces any clips
later in time to shift forward to accommodate the new clip. An insert edit can be
compared to splicing a shot into a film sequence. In an overlay edit, adding a clip replaces
any frames already in the sequence at the new clip’s destination. Overlay edits can be
compared to videotape editing, in which you can record over existing material.
Note: Unless you use a keyboard modifier, overlay edits are the default mode when
dragging clips to a sequence.
An insert edit shifts clips in all unlocked tracks. To prevent an insert edit from shifting

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