Behringer NEUTRON - Detailed Control Descriptions; Oscillator, Filter, and LFO Controls; Delay, Overdrive, and Envelope Controls

Synthesizers and Samplers
NEUTRON
Condential, for internal use only. Not to be reproduced.
Music Tribe accepts no liability for any loss which may be suered by any person who relies either wholly or in part upon any description, photograph, or statement contained herein.
Technical specications, appearances and other information are subject to change without notice. All trademarks are the property of their respective owners. Midas, Klark Teknik,
Lab Gruppen, Lake, Tannoy, Turbosound, TC Electronic, TC Helicon, Behringer, Bugera, Oberheim, Auratone and Coolaudio are trademarks or registered trademarks of Music Tribe Global
Brands Ltd. © Music Tribe Global Brands Ltd. 2021 All rights reserved.
Once the Repeats calibration has been completed you may need to dial out some clock noise from the delay output. This
procedure has knock on eects to the repeats calibration so once complete, you may need to repeat the previous stage until
you nd the right balance. The output level may need to be increased so that clock noise can be heard; this will sound like a high
frequency drone in the background of any signals played through the delay.
Clock Noise Calibration
Turn Time fully CW and both Repeats and Mix to 3 o’clock.
Set VCA Bias fully CW so a signal is fed through the system and heard at the output. If you have no audio check that the
VCF is not cutting o any audio and that the Overdrive level is up. A low frequency sound may be best, one so that you
can easily distinguish the clock noise.
With a constant drone on the output turn VR38 until you can hear clock noise, then move VR38 until the clock noise is
at a minimum. Note, with long repeats there will always be a bit of clock noise present.
Reassemble the Unit.
End of Procedure