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General| Type | Analog |
|---|---|
| Polyphony | Monophonic |
| Oscillators | 2 VCOs |
| LFO | 1 LFO |
| Sequencer | No |
| Arpeggiator | No |
| CV/Gate | Yes |
| USB | Yes |
| Waveforms | Pulse |
| Keyboard | No |
| MIDI | In/Out/Thru |
| Filter | 24 dB/oct 4-Pole Low-Pass Filter |
Explains the purpose and scope of the operation guide for the Behringer Pro-1.
Details naming conventions and abbreviations used throughout the manual for clarity.
Provides essential safety information and precautions for operating the synthesiser.
Introduces the original Pro-One synthesiser, its history, and its core features.
Describes the Behringer Pro-1 as a clone, highlighting its relationship to the original.
Details the power and audio output connections for the Behringer Pro-1.
Guides on setting initial control positions for playing the Pro-1 for the first time.
Explains the function and use of the Pitch and Modulation wheels on the keyboard.
Introduces the arpeggiator and sequencer as performance tools and memory devices.
Explains the Pro-1's voice as audio generation, modification, and control, detailing signal flow.
Illustrates the path of audio signals through the synthesiser's voice modules.
Describes the LED indicator for GATE status and its role in envelope generation.
Explains the switch for envelope generator triggering modes (low-note priority vs. retrigger).
Details the switch for repeating envelopes or using external gate signals.
Explains DRONE for sustain, and POLY/MONO for voice allocation.
Covers arpeggiation modes and latching features.
Guides on recording themes, riffs, and bass lines using the 64-note sequencer.
Explains how to play recorded sequences and the looping function.
Covers Frequency, Octave, Sawtooth, Pulse Shape, and Pulse Width controls.
Forces Oscillator A to follow Oscillator B in hard synchronisation for unique timbres.
Details Triangle Shape, NORMAL-LO FREQ, and OFF-KYBD switches.
Explains Rate Knob and Auto/Normal switch for glide functionality.
Sets levels for OSC A, OSC B, and Noise/Ext inputs to the filter.
Controls filter cutoff frequency and resonance amount.
Covers Amount, Keyboard Amount, Attack, and Decay knobs for timbre contour.
Shape the envelope applied to the VCA using ADSR knobs.
Covers LFO Frequency Knob and Wave Shape Switches for modulation.
Explains the three modulation sources and five destinations for expressive sound shaping.
Controls the amount of modulation mixed into WHEEL or DIRECT paths.
Assigns modulation sources to WHEEL or DIRECT paths.
Selects the modulation path for each destination parameter.
Input for Mod wheel CV, controlling pitch or other parameters.
Input for controlling oscillator and filter frequency at 1V/octave.
External gate or clock input for envelope gating or sequencer/arpeggiator clocking.
LFO rate CV input and LFO OUT CV output for modulation.
Keyboard CV output for controlling external equipment.
Gate output signal indicating note on/off status.
External audio input for processing through filter and amplifier.
Stereo 3.5mm headphone socket for monitoring.
Mono 3.5mm line level output for mixers or amplifiers.
Lists electrical specifications for all top panel jacks.
Describes the rear panel connections including power, MIDI, and USB.
Guides on diagnosing and resolving power, no sound, or hum problems.
Addresses issues with recording or playing sequences and arpeggios.
Provides safe instructions for cleaning the synthesiser's external surfaces.
Lists recommended books for further reading on synthesis and music.
Credits sources for images and text used in the manual.
Details power, weight, dimensions, and operating temperature of the Pro-1.
Defines common terms and abbreviations used in the manual.
Provides links to product manuals and purchase options for the Pro-1 and accessories.
Lists the changes and dates for different versions of the operation guide.
Details the control settings for the "Solo Trumpet" sound patch.
Details control settings for the "Frequency Modulation Bells" sound patch.
Explains how to tune the filter to act as an oscillator for unique sounds.
Provides control settings for the "Phunko Basso" sound patch.
Details settings for achieving a "Grunge Guitar" sound effect.
Provides control settings for the "Bass Clav" sound patch.
Details settings for a percussive organ sound with vibrato.
Provides control settings for a "Single-Engine Crop Duster" sound patch.
Details settings for achieving a "Sync" sound, possibly involving oscillator sync.
Provides settings for a "Clarinet" emulation sound.
Explains using the LFO as an envelope generator, reset by keyboard trigger.
Details settings for a "Bass Synth Sustain" sound, adjusting oscillator pitch.
Provides settings for a "Pseudo Ring Mod Bells" sound, using oscillator sync.
Details settings for a "Dynamo" sound, including arpeggiator and envelope adjustments.
Details settings for arpeggiating fifths, controlling LFO and filter modulation.
Provides blank panel diagrams for recording custom patches.
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