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General| Channels | 2 |
|---|---|
| Dynamics Processing | Yes |
| Dynamic Range | > 100 dB |
| Input Connectors | XLR, 1/4" TRS |
| Output Connectors | XLR, 1/4" TRS |
| Sidechain I/O | Yes |
| A/D/A Conversion | 24-Bit |
| Slope | 12 dB/octave, 24 dB/octave |
| Frequency Range | 20 Hz to 20 kHz |
| Crossover Frequencies | 20 Hz to 20 kHz |
Explains the digital processing concept and multiband approach.
Covers pre-operation checks, installation, and connections.
Describes the front panel controls and display.
Outlines the four operational levels of the unit.
Details the primary mode for program access and parameter editing.
Explains the parameters available in PROCESS mode and their abbreviations.
Covers saving, loading, and managing programs.
Step-by-step guide to loading saved programs.
Instructions for saving user-created programs.
Describes how to use the automatic setup function.
Details how to edit individual frequency bands.
Accesses the Tube Simulation parameters.
Explains the mode for monitoring input/output levels.
Describes the detailed level metering display.
How to edit parameters while using the meter display.
Configuration settings for signal processing.
Configuration of input and output parameters.
Settings for individual frequency bands.
Global unit settings and configurations.
General unit settings and configurations.
Configuration of MIDI interface settings.
Overview of the unit's main application areas.
Explains core dynamic processing functions.
Details the noise gate function and its parameters.
Using the gate to reduce channel crosstalk.
Recommended initial settings for the gate.
Applying the gate for stage microphone noise reduction.
Using the gate to mitigate feedback issues.
Employing the gate for noise reduction in effect loops.
Novel uses of the gate for sound shaping.
Details the compressor function and its parameters.
Recommended starting settings for the compressor.
Using the compressor for creative sound effects.
Details the automatic program analysis and setup function.
Details the automatic gain and threshold optimization function.
Explains the peak limiter for output protection.
Recommended initial settings for the peak limiter.
Describes the tube emulation feature for warmth.
Details the harmonic enhancement exciter.
Using the exciter to improve copied audio.
Enhancing instrument sounds with the exciter.
Using the exciter for PA system audio quality.
Applying the unit for recording and copying processes.
Applying the unit for digital recording and sampling.
Techniques for mastering using the unit.
Using the unit to protect sound systems.
System protection with passive crossovers.
System protection with active crossovers.
Enhancing processor-controlled PA systems.
Using the unit with multitrack recorders.
Applications in broadcasting and transmission.
Specifics of broadcasting deployment.
Use in telephone and transmission lines.
Explains the concept of audio dynamics.
Discusses the nature of electrical noise.
Details the usable dynamic range of audio equipment.
Explains the function and differences of compressors and limiters.
Describes expanders and noise gates.
Overview of analog-to-digital conversion.
Compares digital audio interface standards.
Discusses the principles of harmonic generation.
Explains the benefits and use of tube emulation.
Provides a block diagram of the unit's internal structure.
Instructions for mounting the unit in a rack.
Details on connecting the unit to AC power.
Guide to making analog audio connections.
Information on connecting digital audio via AES/EBU.
How to connect and configure MIDI devices.
Information on the AES/EBU I/O option board.
Details about the unit's operating software and updates.
Instructions for battery replacement.
Technical details of MIDI protocol implementation.
Detailed technical data of the unit.
Instructions for registering the warranty.
General warranty terms and conditions.
Procedure for obtaining warranty service.
Details specific warranty exclusions and procedures.
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