Quick Start Guide 61
Specications
Processing
Input processing channels 40 stereo input channels, 8 stereo aux channels
Output processing channels 16 stereo aux buses, 8 stereo matrices, 4 stereo mains
Internal eects engines (all true stereo) 8 premium FX, 8 standard FX
Point-to-point routing matrix 500 x 502 signals
Signal processing 40-bit oating point, 48 kHz
A/D converters (8-channel, 192 kHz-ready, 24-bit) 114 dB dynamic range*
D/A converters (stereo, 192 kHz-ready, 24-bit) 120 dB dyanmic range*
I/O latency (console input to output) 1.0 ms
Network latency (stage box in > console > stage box out) 1.2 ms
Connectors
MIDAS PRO series microphone preamplier (XLR) 8
XLR balanced outputs 8
Aux inputs/outputs (1/4" TRS balanced, mono) 8 in / 6 out + 2 monitor / phones outs
Phones output (1/4" TRS, stereo) 2
Digital AES/EBU input/output (XLR) 1 / 1
AES50 ports (KLARK TEKNIK SuperMAC, 100 Mbit/s) 3
Expansion card interface 64 x 64 channel audio input / output
StageCONNECT master I/O
(12 V / 18 W power supplied, XLR, 32 channels)
1
MIDI inputs/outputs 1 / 1
GPIO on TRS, congurable 2 x 2
USB 2.0 type B device (48 x 48 ch 24-bit audio and MIDI I/O) 1
USB 2.0 type A host (audio and data, 5 VDC, 1 A) 1
Ethernet LAN ports, RJ45, 1 Gbit/s 2, internally switched
Audio over IP (AoIP) internal module socket
(Dante, AES67 or SoundGrid modules optional)
Up to 64 x 64 channels @ 48 kHz
IEC mains socket with power switch 1
Mic Input Characteristics (Mic Input to Analog Output)
Design MIDAS PRO series
THD+N (0 dB gain, 0 dBu output) <0.004%*
THD+N (+40 dB gain, 0 dBu to +20 dBu output) <0.006%*
Input impedance (unbalanced / balanced) 1 kΩ / 2 kΩ
Non-clip maximum input level +21 dBu
Phantom power (switchable per input) +48 V
Equivalent input noise @ +45 dB gain (150 Ω source) -128 dBu*
CMRR @ unity gain (typical) >50 dB
CMRR @ 40 dB gain (typical) >70 dB