Crumar MOJO - Reverb Type Selection; R.Wires Setting; Circuit Section Effects; Advanced Percussion Settings

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“Reverb”: Two selections possible, digital and spring.
“R.Wires”: resistors wires type, two selections possible
With “Circuit” section, you can change the “leakeage” effect (ambient simulation created
by magnetic interaction of tonewheels inside the organ), “Xtalk” (amount of overtones,
often referred to as “Cross Talk,” created by the interaction of the different drawbar
settings) and the “Brilliance” (frequencies of Xtalk).
With “Percussion” section you can change advanced settings regarding percussion
effect: “Percussion Volume, drop, levels for soft and normal and decay for fast and
slow”.
The function called “paradise decay” is an effect that allows the percussion to never
decay.
“Vibrato” section offers two settings: “depth” and “mix” used for change the effect
amount and the mix of it.
“Bass Decay” : with this setting you can adjust the decay level of pedalboard sound.
Central section is dedicated to rotary “speaker simulation”. Different settings for horn and
bass regarding speed of slow and fast, acceleration and deceleration, “Balance” is a
horn/bass balance, “Ambience” is an external space simulation, “Cabinet” is used to
vary cabinet dimensions, “Microphone angle” is used to vary the angle of the virtual
microphone, “Distance” is used to vary the microphone distance, “Horn equalization”
regulate the eq only for horn of rotary speaker.
You can use the function “Front Stop” if you want the rotary speaker horn always stop in
front position when you stop the rotation.
The function called “memphis” disconnect the rotary bass from the speed selection: in
this way only the horn of the simulated rotary speaker will rotate, while bass is always in
stop position.
“Keyclick Length” – This parameter controls the duration of the keyclick effect. This
effect simulates the attack transient when the nine key contacts on a tonewheel organ
close. “Color” modify the brilliance of the effect.
“Reverb Length” controls the duration of the spring reverb simulation.
“Out EQ” – while bass and treble controls for the sound are in the organ panel, the middle
frequencies and the middle control are only availble here.
With “matching Transformers”, you can regulate the general level of every single
drawbar, so you can modify the mixing of the 9 harmonics: moving sliders will change
settings.
“Piano level” knob are used for regulate the balance between electric piano sounds and
organ sounds.