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Dave Smith Instruments Sequential Prophet-6 - Filter Envelope; ADSR Stages and Response

Dave Smith Instruments Sequential Prophet-6
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22 Filter Envelope
Dave Smith Instruments
Filter Envelope
The Prophet-6’s low-pass and high-pass lters share a dedicated, four-
stage envelope generator. The Filter Envelope is used to shape the
harmonic characteristics of a synthesized sound by giving you ltering
control over its attack, decay, sustain, and release stages.
This is one of the most important factors in designing a sound. Without
an envelope, the lters would be completely static. They would stay
open or closed by a xed amount that wouldn’t change over the duration
of a sound. That’s not very interesting to listen to and it’s not how instru-
ments behave in the real world.
In general, sounds produced by an instrument are brighter at their begin-
ning (the attack stage) and grow mellower as they die out (the decay
and release stages). In other words, their harmonic content changes over
time. This is exactly what the lter envelope is designed to emulate.
FILTER ENVELOPE
ATTACK DECAY SUSTAIN RELEASE
Filter envelope
Attack
Decay
Sustain
Release
Amplitude
Time
A typical 4-stage envelope

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