Dynaudio BM9S - Setting the phase (Phase); Setting the satellite cut-off frequency (SAT Highpass)

Operation
10 Dynaudio Acoustics BM9S
Setting the phase (Phase)
C(%' %'+ *'-)+ )+%%(./) P#$ 5-. -9J$)% %'+ *'-)+ ,+1-%(#.)'(* "+%;++. %'+ )$";##<+,
-.9 0-(. )*+-6+,)2 _< +(%'+, )$";##<+, #, 0-(. )*+-6+, -,+ )1(/'%1P #$% #< *'-)+ (.
,+1-%(#. %# %'+ #%'+,a (% 5-. ,+)$1% (. 9+5,+-)+9 "-)) #$%*$% (. %'+ <,+O$+.5P ,+)*#.)+
-,+- ;'+,+ %'+P #K+,1-* +-5' #%'+,2
U'+ *'-)+ ,+1-%(#.)'(* "+%;++. )$";##<+, -.9 )-%+11(%+ )*+-6+,) () K+,P 9+*+.9+.%
#. ,+1-%(K+ 9()%-.5+a 5#.)%,$5%(#. -.9 ;#,6(./ *,(.5(*1+) #< %'+ 0-(. )*+-6+,)2 U'+
<(/$,+ #. %'+ 1+<% )'#;) - 5-)+ ;'+,+"P *'-)+ #< %'+ )$";##<+, -.9 0-(. )*+-6+,)
-,+ (.5#,,+5% (. %'+ 5,(%(5-1 #K+,1-* -,+-a %'$) )(/.(<(5-.%1P ,+9$5(./ -5#$)%(5 #$%*$% (.
%'+ 1()%+.(./ ,##0 (. %'-% -,+-2
Finding the correct phase setting:
S2 A1-P - "-))N,(5' %,-56 ;'(5' -1)# 5#K+,) %'+ #K+,1-* -,+-2
W2 U#//1+ %'+ Phase );(%5' "+%;++. Tk -.9 SITk2
?(//&) "() &)""!05 2/1 4(!%( @/+ )A6)1!)0%) "() ;/&" 3#&&8
Setting the satellite cut-off frequency
(SAT Highpass)
]+*+.9(./ #. %'+ "-)) 5-*-"(1(%(+) #< %'+ )*+-6+,)a %'+ <,+O$+.5P ,-./+ #<
)$";##<+, -.9 )*+-6+,) 5-. #K+,1-* "+%;++. :T V\ -.9 S:T V\2 ! "$0* #, - /-* (.
%'+ <,+O$+.5P ,+)*#.)+ -.9 %'$) - 1#;+, )#$.9 O$-1(%P ;(11 "+ +b*+,(+.5+9 (< %'+
)P)%+0 () .#% 0-%5'+9 *,#*+,1P2 _. -99(%(#.a )0-11 )*+-6+,) -.9 1#; *#;+,+9
-0*1(<(+,) ;(11 *-,%(5$1-,1P "+ -<<+5%+9 "P %'+ 1#; <,+O$+.5P )(/.-1)a ;'(5' -/-(. '-)
- .+/-%(K+ +<<+5% #. %'+ )#$.9 O$-1(%P2 U'+,+<#,+ (% 0-6+) )+.)+ %# 1(0(% %'+ "-))
,-./+ #< %'+ 5#..+5%+9 )*+-6+,) @5-11+9 d)-%+11(%+)e (. %'() 5-)+H "P - '(/'*-)) <(1%+,2
U'+ QfM> *,#K(9+) %',++ )+%%(./) %# -5'(+K+ %'()c
• G1-% j .# 1(0(%-%(#.
• =T V\ j <,+O$+.5(+) "+1#; =T V\ -,+ 5$%N#<<
• IT V\ j <,+O$+.5(+) "+1#; IT V\ -,+ 5$%N#<<
Setting the cut-off frequency
! >;(%5' SAT Highpass 5#.%,#1 %# .++9+9 *#)(%(#.2
Note:
• g#$ 5-. .#% )+% %'+ *'-)+ (< %'+ )$";##<+, () (. )1-K+ 0#9+2 _. %'() 5-)+ %'+ *'-)+ ()
5#.%,#11+9 "P %'+ )+%%(./ #< %'+ 0-)%+, )$";##<+,2
Combined frequency response
Subwoofer
Main speakers
Level
Frequency