KETRON SolTon PROGRAMMER 24S - Page 6

TR"
po
ние
dne
ey
Stee
как
aa
ett
7)
Adjust
rhythm
and
accompaniment
volume
as
you
prefer.
Each
of
the
24
Preset
rhythms
is
provided
with
2
arrangements
Particularly
made
to
fit
the
cha-
racteristics
of
the
rhythm.
The
arrangements
are
composed
of
different
instrument
sections:
Bass,
Piano,
Guitar,
Accordion,
Brass,
Clarinet,
Flute,
Banjo,
Synt.
The
different
instrument
sections
are
provided
with
separate
volume
controls.
For
the
Synt
effect
а
Brilliance
Control
is
provided
to
create
particular
timbres.
A-B:
Controls
for
selecting
the
two
types
of
arrangement.
BASS:
For
the
Bass
4
effects
are
available
(Double
Bass,
Bass
Guitar,
Synt.
Bass,
Tuba),
also
three
different
operating
modes:
Automatic,
Manual,
Pedalboard.
AUTO-BASS:
Automatic
Bass
with
already
programmed
harmonic
lines
and
chord
recognition.
The
chord
may
be
played
in
any
of
its
main
inversions,
and
its
basic
note
will
be
recognized
by
the
Bass.
If
the
pedalboard
is
connected,
the
Bass
recognizes
the
note
played
on
the
pedalboard
as
the
basic
one,
independently
from
the
chord
played
by
the
left
hand
on
the
keyboard.
In
this
way
complex
and
elaborate
harmonizations
may
be
obtained.
MANUAL
BASS:
When
Auto
Bass
is
not
inserted,
the
Bass
works
in
manual
mode
on
the
complete
keyboard
(or
on
the
Pedalboard).
PEDALBOARD:
This
control
transfers
the
Arranger
function
to
the
Pedalboard
(optional).
In
this
way,
by
pressing
a
key
of
the
pedalboard,
the
complete
Automatic
Accompaniment
plus
Organ
and
Strings
can
be
obtained.
The
use
of
the
pedalboard
will
be
of
Particular
interest
to
the
guitar
and
piano
player,
but
also
to
the
wind
instrument
player,
due
to
the
fact
that
it
allows
him
to
excercise
and
to
play
solo
in
public
with
the
support
of
a
stimulating
rhythm
section.
TONALITY
PEDAL
SWITCHES
m,
m
7th,
7th:
Musicians
who
use
the
Pedalboard
can
use
these
3
switches
situated
on
the
Volume
Pedal
to
obtain
Minor,
Minor
Seventh,
Seventh,
Diminished
and
Augmented
Chords,
Diminished
Chords
are
obtained
by
pressing
both
Minor
and
Minor
7th
switches.
Augmented
Chords
are
obtained
by
pressing
both
Minor
7th
and
7th
switches.
ORGAN-STRINGS:
The
accompaniment
is
provided
with
an
Organ
section
with
three
flute
voices
(8,4,
2’)
anda
Strings
section
(Cello,
Violin).
Both
sections
have
separate
volume
controls.
In
the
case
of
pedalboard
connection
the
two
sections
are
automatically
transferred
on
the
pedalboard
by
the
Pedalboard
control.
MEMORY:
Memory
for
the
complete
Programmer
24S
accompaniment.
The
memory
is
automati-
cally
disconnected
by
the
pedal
switch
Stop.
TUNE:
General
tuning
control
for
the
instrument,
With
reference
to
the
central
position
(440
Hz
or
Diapason),
the
maximum
variation
amounts
to
a
semitone
towards
the
bass
(6)
or
towards
the
treble
(#).
TRANSPOSER:
Complete
transposition
of
one
octave
for
the
Accompaniment.
Each
step
of
the
transposer
corrisponds
to
exactly
one
semitone.In
position
С
Programmer
245
is
tuned
on
the
Dia-
разоп
basis.
When
the
Transposer
is
turned
to
the
Positions
B,
A
and
G
the
lowest
notes
of
the
Bass
are
automa-
tically
raised
to
the
higher
octave.
Transposer
function
is
not
operative
on
MIDI.
PATTERN
The
Programmer
245
can
store
in
its
internal
memory
up
to
64
Patterns
at
standard
Pattern
values
(Time:
1.4.4;
Error
Correct:
16).
Asingle
Pattern
can
be
up
to
a
maximum
of
16
Bars
(Time:
8.8.4).
The
Pattern
programming
includes
Rhythm,
Bass
and
Piano
sequences.
Programming
functions
are:
Clear,
Time
-
No.
of
Bars,
Record,
Error
Correct,
Instrument
Clear.
Two
programming
mode
are
availables:
Real
Time
and
Step
by
Step.
To
insert
PATTERN
follow
this
operation:
1) Push PATTERN.
2)
If
PRESET
rhythm
is
ON,
switch
it
OFF.
3)
If
SONG
is
on,
press
PRESET
rhythm
twice
to
reach
the
only
PATTERN
function.
REAL
TIME
RHYTHM
PROGRAMMING
This
mode
is
the
most
immediate
one,
as
the
rhythm
may
be
programmed
by
simply
playing
the
16
keys
of
the
keyboard.
In
order
to
insert
the
programming
function,
carry
out
the
following
steps:
Be