1–1: Track Play/Rec (Track 1–8)
78
When the TRINITY receives a Song Select message, it will change songs.
The song number will be displayed in pages “1–1: Track Play/Rec” to “1–7: Preference,” and can
be changed from any page.
1–1c: Tempo
Tempo [40…240]
Sets the playback tempo of the song.
If the Global mode “1–1d: MIDI Clock/System Clock” setting (
☞
page 132 in this manual) is Inter-
nal, the tempo will be displayed as a numerical value, and you can set it as desired.
If the setting is External, the display will indicate EXT, and the playback tempo of the TRINITY’s
sequencer will be synchronized to the MIDI Clock messages received from an external sequencer,
etc.
Tempo settings will be affected by the Tempo Mode as explained in the following paragraph. The
tempo is displayed in pages “1–1: Track Play/Rec” through “1–7: Preference” and can be set from
any of these pages.
If you select Tempo as an Alternate Modulation source,
q
=120 will be the central value.
Tempo Mode [Manual, Auto, Rec]
Manual:
The tempo data of the master track will be ignored, and the Tempo setting described
above will determine the tempo.
Auto:
The playback tempo will change according to the tempo data of the master track. (The
tempo cannot be adjusted by the Tempo setting described above.)
Rec:
This parameter can be selected after you press the [REC/WRITE] key. Changing the “Tempo”
value during real-time recording will allow you to record tempo changes on the master track.
(You can also use “5–1C: Event Edit” or “5–1L: Create Control Data” to record tempo changes.)
1–1d: Track [T01…T16, MTR]
Selects the recording destination track that will be used for single-track recording.
This parameter will be displayed in pages “1–1: Track Play/Rec” through “1–7: Preference” and
can be changed from any page.
When you play the keyboard or operate the controllers of the TRINITY, the internal tone generator
will sound according to the settings (program, level, etc.) of the track you select here (if Track Sta-
tus is INT or BOTH). Other tracks with a matching MIDI channel will also sound simultaneously
(if Track Status is INT or BOTH). These messages will also be transmitted on the MIDI channel
specified for that track.
For single-track realtime recording, the musical data will be recorded on the track you select here.
For multi-track realtime recording, the “1–1i: PLAY/MUTE/REC” settings will determine for each
track whether or not recording will take place, regardless of this setting.
Select MTR (Master Track) to edit the master track in the “5–1: Track Edit“ page.
1–1e: Meter/Metronome/Resolution/Multi Rec/Remove Data
Meter (Time Signature) [**/**, 1/4…16/4, 1/8…16/8, 1/16…16/16]
Specifies the time signature.
This parameter will be displayed in pages “1–1: Track Play/Rec” through “1–7: Preference” and
can be changed from any page.
The time signature can be specified for each measure, and the display will change according to the
settings.
During recording, the time signature specified here will be recorded in the master track. If this is
set to **/**, the time signature already recorded in those measures (the time signature specified
when recording other tracks) will be used.
Normally you will set the time signature when recording the first track, and set **/** when record-
ing subsequent tracks.
If you are recording a song that contains changes in time signature, first use Event Edit (“5–1:
Track Edit” page menu) to insert time signature data into the measure whose time signature you
wish to change, and then record the musical data for each track.
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