playing level. If it ashes too frequently, the input is
clipping and you may experience unwanted distortion.
B. INSTRUMENT INPUT
The ¼” input is an unbalanced (mono), all-discrete input.
Plugging into the input will activate the Session, there-
fore, unplugging will turn the system o.
C. COMP EQ
The Session features 3 narrowly focused bands of
compression for taming common problematic frequen-
cies and enhancing the voice of your guitar. The low,
mid, and high frequency compressors are essentially
“touch-sensitive” EQs that respond in real-time to your
dynamics. The harder you strum, the more they compress
and vice versa. When the knob is in the counter-clock-
wise position, the eect is completely o. Turn the
control clockwise and apply to taste.
D. ENGAGE
Press the footswitch to engage the tone shaping tools.
When the light is on, all of the controls of the Session are
engaged. When the light is o, the whole pedal is true
bypassed.
E. SATURATE
The Session’s analog saturation is voiced specically
for the acoustic guitar. Engage the eect to add warmth,
dimension, and pleasing harmonic content while
smoothing your signal for an enhanced, post-processed
mix. Turn the control clockwise to saturate the signal.
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