REAR PANEL CONNECTIONS
2 • 16
mixer, etc. – you will want to make it the clock master (generally called
something like “Internal Sync”), and set POD’s Digital Sync switch to
External. POD will then derive its sample rate from your recorder/mixer,
and output a digital signal perfectly synced to the rest of your system.
• Situation Number Dos – If your system doesn’t have a clock output – like
a Digidesign Audiomedia, Digi 001, Digital Audio Labs Card D, etc. – you’ll
set POD’s Digital Sync switch to 44.1 or 48 (not External), and set your
recorder to sync to its digital input (which is coming from POD).
MIDI In & Out - Connect POD to your MIDI equipment to select channel
memories (via Program Change messages) or automate POD settings (via
controllers and/or Sysex). Emagic SoundDiver software is included on the
accompanying CD for sound editing/storage on a computer, as well as ToneTransfer
access to the sounds from the Line 6 Web Library or other sources. The POD MIDI
OUT connects to another device’s MIDI IN; its MIDI IN goes to another device’s
MIDI OUT. Please also see Chapter 9, Deep Editing and MIDI Control, to
setup your MIDI gear with POD and find out what MIDI can do for POD and you.
Pedal Connector - Looks like a telephone connector on steroids. This is
where you connect the optional Line 6 Floor Board or FB4 foot controllers.
Chapter 8 hips you to the wonders of these foot controllers, and the tremendously
positive impact they can have on your life.
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POD Pro Manual Ch. 2 - Rev C Page 16 Monday, September 11, 2000 10:57 PM
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