M
ODELED
A
MPS
& C
ABS
:
W
HICH
A
MPS
AND
C
ABS
A
RE
M
ODELED
?
5 • 1
M
ODELED
A
MPS
& C
ABS
W
HICH
A
MPS
AND
C
ABS
A
RE
M
ODELED
?
Note:
For the following description of the Line 6 Amp Models, and other references
that you will find throughout this manual, please be aware that Fender, Marshall, Vox,
Boogie, Soldano, Peavey, Roland, Matchless, Arbiter, ADA, Leslie, and other amplifier
model designations, and the names of musical artists and groups, and effects, are all
trademarks of their respective owners, which are in no way associated or affiliated with
Line 6. These marks and names are used solely for the purpose of describing certain
amplifier tones produced using Line 6’s modeling technology. The Line 6 modeling
technology provides POD with a wide variety of sounds and effects modeled after some of
the most popular sounds of the classic amps, effects, and artists mentioned here.
There are 32 Amp Models living within your POD, plus 16 Cab Model selections.
When you turn the
Amp Models
knob, you select an Amp/Cab combination.
You can then mix ’n’ match different cabs with the amp by holding the
Ta p
button
and turning the
Effects
knob.
Chapter 7
tells you how you can customize these
amp/cab combinations. We list all the Amp Models and the Cabinet Models
below, and describe the original equipment that inspired them:
Line 6 Clean -
To create this Amp Model, we essentially grafted the top end
of a JC-120 (Roland’s popular “Jazz Chorus” solid state combo) onto the bottom
end of a classic Marshall JTM-45 tube head, to give you the crisp and clear top end
of a solid state amp, but with a rich, satisfying tube amp-style bottom.
Line 6 Crunch -
Our “boutique” sound. Not too clean, but not too raging.
We spent some time with a rare Dumble combo, and picked up a few tricks from it
to put together this tone. Great for modern blues or jazz, this sound should be like
POD Pro Manual Ch. 5 - Rev C Page 1 Monday, September 11, 2000 10:59 PM
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