Table of Contents
English . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
What’s New in Version 2? . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Amp Models Increased from 12 to 40 . . . . . . . . . . . . . . . . . 2
Effects Increased from 43 to 121 . . . . . . . . . . . . . . . . . . . 2
Special Bonus Features . . . . . . . . . . . . . . . . . . . . . . . 2
New Shift Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Amp Models Increased to 40 . . . . . . . . . . . . . . . . . . . . . . . . .2
PAN1 - PAN4 . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
ROTOR1 and ROTOR2 . . . . . . . . . . . . . . . . . . . . . . . 3
VIBRA1 and VIBRA2 . . . . . . . . . . . . . . . . . . . . . . . . 3
SWELL (Volume Swell) . . . . . . . . . . . . . . . . . . . . . . . 3
FIXFLT (fixed filter) . . . . . . . . . . . . . . . . . . . . . . . . . 3
FIXFLA (fixed flanger) . . . . . . . . . . . . . . . . . . . . . . . . 3
Effects Increased to 121 . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
TLKPDL (talk pedal) . . . . . . . . . . . . . . . . . . . . . . . . . 4
SCIFI1 – SCIFI5 (science fiction sounds) . . . . . . . . . . . . . . . . . . 4
Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
REVERB TIME . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
REVERB HIGH FREQUENCY . . . . . . . . . . . . . . . . . . . . . . 4
REVERB VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . 4
REVERB ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . 4
REVERB/DELAY COMPROMISES . . . . . . . . . . . . . . . . . . . . 4
Compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
COMPRESSION . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Amp Mid Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
Link Drumbeat, Tempo Source, Gate . . . . . . . . . . . . . . . . . . . . .5
LINK DRUMBEAT . . . . . . . . . . . . . . . . . . . . . . . . . . 5
TEMPO SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . 5
GATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
And a Few Other Updates . . . . . . . . . . . . . . . . . . . . . . . . . .5
DELAY TIME . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
DRUMS > DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . 5
EXPRESSION PEDAL . . . . . . . . . . . . . . . . . . . . . . . . . 5
INTRO/ENDING . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Amp Model Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
1. BASMAN (based on Fender Bassman) . . . . . . . . . . . . . . . . . 6
2. DLXREV (based on Fender Deluxe Reverb) . . . . . . . . . . . . . . . 6
3. TWNREV (based on Fender Twin Reverb) . . . . . . . . . . . . . . . . 6
4. DELUXE (based on Fender Deluxe) . . . . . . . . . . . . . . . . . . 6
5. CHAMP (based on Fender Champ) . . . . . . . . . . . . . . . . . . 6
6. MAR 45 (based on Marshall JTM45) . . . . . . . . . . . . . . . . . 6
7. PLEXI (based on Marshall 100 watt Super Lead “Plexi”) . . . . . . . . . . 6
8. MAR800 (based on Marshall JCM800) . . . . . . . . . . . . . . . . 6
9. MAR 2K (based on Marshall JCM2000 TSL100) . . . . . . . . . . . . . 6
10. VOKS30 (based on VoxAC30 Top Boost) . . . . . . . . . . . . . . . . 6
11. VOKS15 (based on VoxAC15) . . . . . . . . . . . . . . . . . . . . 6
12. JAZZ (based on Roland Jazz Chorus JC-120) . . . . . . . . . . . . . . 6
13. HIWHAT (based on Hiwatt DR103) . . . . . . . . . . . . . . . . . . 6
14. STU70S (“Studio 1970s”, based on Mesa Boogie Mark 2) . . . . . . . . . 6
15. BIG90S (“Big 1990s”, based on Mesa Boogie Dual Rectifier Solo head) . . . . 6
16. SOLDON (based on Soldano SLO 100 Super Lead Overdrive) . . . . . . . . 6
17. UBER (based on Bogner Uberschall) . . . . . . . . . . . . . . . . . 6
18. Deisel (based on channel 4 of a Diezel VH4) . . . . . . . . . . . . . . 6
19. ANGLE (based on ENGL Powerball) . . . . . . . . . . . . . . . . . 6
20. EDDIEV (based on Peavey 5150 MkII) . . . . . . . . . . . . . . . . . 6
21. XTASY (based on Bogner Ecstasy) . . . . . . . . . . . . . . . . . . 6
22. BUDDHA (based on Budda Twinmaster) . . . . . . . . . . . . . . . 7
23. CHIEF (based on Matchless Chieftain) . . . . . . . . . . . . . . . . 7
24. INTENS (same as Black Box version 1’s “LAMOD”) . . . . . . . . . . . . 7
25. BIGMID (same as Black Box version 1’s “UBER”) . . . . . . . . . . . . . 7
26. SIZZLE (same as Black Box version 1’s “MAVRIK”) . . . . . . . . . . . . 7
27. PLEXIS (same as Black Box version 1’s “PLEXI”) . . . . . . . . . . . . . 7
28. SCOOP (a custom high gain model with scooped mid) . . . . . . . . . . 7
29. CRISP (a custom model with a 60s twangy tone) . . . . . . . . . . . . 7
30. HOLLOW (a custom model with a cool, “hollow” sound) . . . . . . . . . 7
31. BITE (a custom model with biting high notes) . . . . . . . . . . . . . . 7
32. NECKPU (a custom model great for a Strat neck pickup) . . . . . . . . . 7
33. SOLID (a custom model with a very solid crunch and lead tone) . . . . . . 7
34. ACO360 (based on Acoustic 360 bass amp) . . . . . . . . . . . . . . 7
35. AMPSVT (based on Ampeg SVT bass amp) . . . . . . . . . . . . . . 7
36. GK 800 (based on Gallien-Krueger 800RB bass amp) . . . . . . . . . . 7
37 SWR500 (based on SWR SM500 bass amp) . . . . . . . . . . . . . . 7
38. FUZZ (fuzz tone) . . . . . . . . . . . . . . . . . . . . . . . . 7
39. OCTAVE (based on Octave fuzz) . . . . . . . . . . . . . . . . . . . 7
40. MICPRE (a clean mic preamp) . . . . . . . . . . . . . . . . . . . 7
© Avid Technology, Inc. All rights reserved. This guide may not be duplicated in whole or in part without the written consent of Avid Technology, Inc. Product features,
specifications, system requirements and availability are subject to change without notice. Avid, M-Audio, and Black Box are trademarks of Avid Technology, Inc. in
the U.S. and/or other countries. All other trademarks contained herein are the property of their respective owners.
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