SP260 2x6 Speaker Processor
10
SP260 2x6 Speaker Processor
PUSHPUSH
ON
OUTPUTS
MAIN
GNDLIFT
ATTENTION: RISK OF ELECTRIC SHOCK
DO NOT OPEN THE COVER
100-240 VAC
40W 50/60 Hz
FUSE: T 800mAL 250V
AB123456
INPUTS
01 PLATE REVERB
02 VOCAL PLATE
03 WARM ROOM
04 BRIGHT ROOM
05 WARM LOUNGE
06 SMALL STAGE
13 CHORUS
14 CHORUS + REVERB
15 DOUBLER
16 TAPE SLAP
17 DLY 1 BRIGHT (350ms)
18 DLY 1 WARM (300ms)
19 DLY 2 BRIGHT (250ms)
20 DLY 2 WARM (200ms)
21 DLY 3 BRIGHT (175ms)
22 DLY 3 WARM (150ms)
23 CHORUS + DLY (300ms)
24 REVERB + DLY (200ms)
FX PRESETS
TAP TO EDIT
07 WARM THEATER
08 BRIGHT STAGE
09 WARM HALL
10 CONCERT HALL
11 CATHEDRAL
12 GATED REVERB
GAIN
1
GAIN
2
GAIN
3
GAIN
4
GAIN
5
GAIN
6
GAIN
7
GAIN
8
GAIN
9
GAIN GAIN GAIN GAIN GAIN GAIN
10 11 12 13 14 15
GAIN GAIN GAIN GAIN GAIN GAIN
20 21/22 23/2417 18 19
GAIN
16
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
PAD
-20dB
LOW CUT
100 Hz
18dB/OCT
AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUXAUX
2404
M
UT
E
1
M
UT
E
2
M
UT
E
3
M
UT
E
4
M
UT
E
5
M
UT
E
6
M
UT
E
7
M
UT
E
8
M
UT
E
9
M
UT
E
10
M
UT
E
11
M
UT
E
12
M
UT
E
13
M
UT
E
14
M
UT
E
15
M
UT
E
18
M
UT
E
19
M
UT
E
20
M
UT
E
21/22
M
UT
E
23/24
M
UT
E
16
M
UT
E
17
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ
PAN
EQ EQ EQ EQ EQ EQ
PAN PAN PAN PAN BAL BAL
EQ
PAN
RL RL RL RL RL RL RL RL RL RL RL RL RL RL RL RL RL RL RL RL RLRL
INT FX
AUX 5/6
PRE
HI
1
2
k
L
OW
80Hz
M
ID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
M
ID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
M
I
D
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
M
ID
INT FX
AUX 5/6
PRE
HI
1
2
k
L
OW
80Hz
M
ID
INT FX
AUX 5/6
PRE
H
I
1
2
k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
L
OW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
M
ID
INT FX
AUX 5/6
PRE
HI
1
2
k
L
OW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
L
OW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
M
ID
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
8
0Hz
MID
FREQ
FREQ
FREQ
FREQ
FR
EQ
FRE
Q
FREQ
FREQ
FREQ
FREQ
FR
EQ
FREQ
FR
EQ
FREQ
FREQ
INT FX
AUX 5/6
PRE
SO
LO
L
EF
T
TAP
DELAY
INT FX
MUTE
INT FX
AUX 5/6
PRE
HI
1
2
k
L
OW
80Hz
MID
INT FX
AUX 5/6
PRE
HI
1
2
k
L
OW
80Hz
MID
INT FX
AUX 5/6
PRE
H
I
1
2
k
LOW
80Hz
MID
H
I
1
2
k
LOW
80Hz
MID
HI
1
2
k
LOW
80Hz
HI
1
2
k
L
OW
80Hz
LOW
M
I
D
4
00Hz
H
I
MID
2
.5
k
L
OW
MID
4
00Hz
H
I
MID
2.5k
INT FX
AUX 5/6
PRE
INT FX
AUX 5/6
PRE
INT FX
AUX 5/6
PRE
HI
1
2
k
LOW
80Hz
MID
FREQ
FR
EQ
FR
EQ
FREQ
FREQ
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
1
2
3
4
PRE
PRE
5
6
FX1
FX2
PUSH
TO TALK
TALKBACKGROUPS
MAIN
RIGH
T
AUX 1-4
STEREO
RIGH
T
SOL
O
L
EF
T
TO AUX 1
TO AUX 2
SOLO
PHONES
MONITOR
TAP
DELAY
INT FX
MUTE
TO AUX 1
TO AUX 2
RIGH
T
SOLO
STEREO
L
EF
T
RI
GH
T
SOL
O
L
EF
T
SEND MASTERSEND MASTER
TO MAINTO MAIN
FX
2
FX
1
1 2 3 4
MAIN MIX
SOLO
1
SOLO
1
2
3
4
2
SOLO
SOLO MODE
MAIN
FX 1
USB
STEREO RETURNSAUX MASTERS
SOLO
SOLO
SOLO
SOLO
+15
OO
+15
OO
+15
OO
SOLO
U
MAX
OO
U
U
MAX
OO
U
MAX
OO
FX 2
U
MAX
OO
U
MAX
OO
SIG/OLSIG/OL
AUX
AUX
AUX
AUX
MAIN
MIX
0 dB=0 dB
u
RUDE SOLO
2
0
1
0
7
4
2
0
2
4
7
1
0
2
0
3
0
LEFTRIGHT
SOLO
MAX
OO
U
MAX
OO
U
MAX
OO
U
MAX
OO
U
MAX
OO
U
MAX
OO
U
+20
OO
TO MAIN
PFL
AFL
GRP 1-2
CH 1-2 CH 3-4
AUX 5-6
P
W
R
4
8
V
TAPE
USB
2-TRACK RETURN USB OUT
GRP 3-4
MAIN L/R
LEVEL
SET
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U U
MAX
OO
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
LEVEL
U
+15
OO
3
1
5
6
2
U
U
+15
OO
U
+15
OO
+15
OO
U
+15
OO
U
4
U
U
+20-20
U
+20-20
1
2
V
0
.
5
A
50%
25% 75%
0% 100%
SUCK
OFF MAX OFF MAX OFF MAX OFF MAX
COMP COMP COMP COMP
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
SO
L
O
3-
4
1
-
2
L
/
R
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
O
L
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SIG
SI
G
SI
G
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3
-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
S
O
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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C
G
A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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C
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A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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A
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N
U
+15
OO
U
+15
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U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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A
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N
U
+15
OO
U
+15
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U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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C
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A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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A
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N
U
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OO
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+15
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+15
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U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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C
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A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
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A
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
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C
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A
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N
U
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U
+15
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U
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U
+15
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U
+15
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U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
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B
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N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
2k
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
-15 +15
-15 +15
U
U
-15 +15
-15 +15
U
-15 +15
U
-15 +15
U
-15 +15
U
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
0 60
-45dB+15dB
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
U
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
SIG
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SIG
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SIG
SO
L
O
3
-
4
1
-
2
L
/
R
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L
dB
30
20
10
OO
40
50
5
5
U
60
10
SIG
S
O
L
O
3-
4
1
-
2
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/
R
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L
dB
30
20
10
OO
40
50
5
5
U
60
10
SI
G
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SIG
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
SIG
SO
L
O
3-
4
1
-
2
L
/
R
O
L
dB
30
20
10
OO
40
50
5
5
U
60
10
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
U
+15
OO
2k
0 60
-45dB+15dB
U
800
200
8k100
U
-15
U
+15
-15 +15
-15 +15
U
U
U
M
I
C
G
A
I
N
-
1
0
d
B
V
M
I
C
G
A
I
N
L / R Line Level Outputs
Mackie SP260
Speaker Processor
Mackie HD1801
Active Subwoofer
Mackie HD1801
Active Subwoofer
Mackie
HDA Active
Loudspeakers x3
Mackie
HDA Active
Loudspeakers x3
A / B Inputs
Mackie
2404-VLZ3
Mixer
Powered Arrayable Loudspeakers and Subwoofers; aka “The Shizz”
Ok, so you’ve got the big boy setup...we understand and are able to fulfill your needs here, too!
Here, the SP260 is configured using the ‘2xStereo+Subs’ setup type. We connected the left and right
line-level XLR outputs of a Mackie 2404-VLZ3 mixer to the A and B XLR inputs of a Mackie SP260
Speaker Processor. Next, we connected XLR outputs 1 and 2 of the Mackie SP260 Speaker Processor
to the XLR main input of the top Mackie HDA powered arrayable loudspeaker on each side. The loop
out XLR jack of these HDAs feed the main inputs of another pair of Mackie HDA powered arrayable
loudspeakers right below them [the middle HDA on each side].
XLR outputs 3 and 4 of the Mackie SP260 Speaker Processor feed the XLR main input of the bottom
Mackie HDA powered arrayable loudspeaker on each side.
Now let’s add some low end to this beast! Connect XLR outputs 5 and 6 of the Mackie SP260 Speaker
Processor to XLR input A of the Mackie HD1801 powered subwoofer on each side.
With this setup, you might choose to reduce output to the bottom HDA if the application calls for it.
If the rig is high enough, though, these HDAs might be fine at the same output level as the top two
HDAs on each side.
The SP260’s high- and low-pass filters on output channels 1–6 may be configured to create a
crossover to optimize the subwoofers with the HDAs. The subs may be stereo or mono by properly
configuring the input sources for SP260 outputs 5 and 6. The SP260 may be used for additional room
corrective EQ and delay to align the loudspeakers and subwoofers and a limiter added for extra
protection. The only thing it can’t do is make you breakfast!
NOTE: Please refer to the loudspeaker’s owner’s manual if utilizing a setup similar to the
one shown here. There are issues of safety, weights, angles, coverage and much more
regarding systems that are flown. Installation should only be done by experienced, licensed
professionals. Improper installation may result in damage to the equipment, injury or death. Make
sure the loudspeakers and subwoofers are installed in a stable and secure way in order to avoid any
conditions that may be dangerous for persons or structures.
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