SP260 2x6 Speaker Processor
6
SP260 2x6 Speaker Processor
In this example, the SP260 is configured using the ‘3xStereo’ setup type. The left and right line-level
XLR outputs from a Mackie ProFX22 mixer feed the A and B XLR inputs of a Mackie SP260 Speaker
Processor. XLR outputs 1 and 2 of the Mackie SP260 Speaker Processor feed the 1 and 2 XLR inputs of a
Mackie FRS Power Amplifier. The CH 1 and CH 2 NL4 speaker outputs of the power amplifier feed the
NL4 inputs of two Mackie S525 passive loudspeakers which are located on stage.
XLR outputs 3 and 4 of the Mackie SP260 Speaker Processor feed the 1 and 2 XLR inputs of
another Mackie FRS Power Amplifier. The CH 1 and CH 2 NL4 speaker outputs of this power
amplifier feed the NL4 inputs of two Mackie S515 passive loudspeakers. These are positioned
halfway toward the rear of the venue and have delay added, so they are sync’d with the mains.
Then there are XLR outputs 5 and 6 of the Mackie SP260 Speaker Processor which feed the
1 and 2 XLR inputs of yet another Mackie FRS Power Amplifier. The CH 1 and CH 2 NL4 speaker
outputs of this power amplifier feed the NL4 inputs of two Mackie S512 passive loudspeakers which
are located in an area away from the coverage of the Mackie S525s and S515s; a beer garden,
for example. Mmmmmm, beer.
Hookup Diagrams
Passive Full-Range Loudspeakers
PUSHPUSH
ON
OUTPUTS
MAIN
GNDLIFT
ATTENTION: RISK OF ELECTRIC SHOCK
DO NOT OPEN THE COVER
100-240 VAC
40W 50/60 Hz
FUSE: T 800mAL 250V
AB123456
INPUTS
48V
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTEMUTEMUTEMUTEMUTEMUTEMUTE
OL
4
6
3
10
15
7
10
20
30
0
2
0dB = 0dBu
LEVEL
SET
RUDE
SOLO
MAIN
METERS
RL
MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
GAINGAIN
+20
-20
GAIN
(MONO)
LINE IN 9
LINE IN 10
L
R
(MONO)
L
R
(MONO)
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL BAL /UNBAL
BAL/UNBAL BAL /UNBAL
BAL/UNBAL BAL/UNBALBAL/UNBALBAL/UNBALBAL /UNBALBAL /UNBALBAL/ UNBALBAL/UNBALBAL /UNBALBAL /UNBALBAL/ UNBALBAL/ UNBAL
L
R
(MONO)
L
R
LINE IN 11
LINE IN 12
LINE IN 13
LINE IN 14
LINE IN 15
LINE IN 16
L R
17/1815/16 19/20 21/22
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN LINE INLINE IN LINE IN LINE IN LINE IN
OL
RL
PAN
7
dB
30
20
10
10
OO
40
50
5
5
U
60
7
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
8 9 10 11 12 13 14
GAIN
U
+50
M
I
C
G
A
I
N
U
+50
M
I
C
G
A
I
N
U
LOW CUT LOW CUT
AUX
RETURN
MON
1
INTERNAL FX
MON
2
AUX
MASTER
U
+15
OO
U
+15
OO
U
+15
OO
TO
MON 1
TO
MON 2
TO
MON 1
TO
MON 2
TO
MAIN
L-R
U
+10
OO
U
+15
OO
U
+15
OO
U
+10
OO
U
+15
OO
U
+15
OO
SOURCE
LINE
USB
PHANTOM POWER
8 9 10 11 12 13 14 15/16 17/18 19/20 21/22
8K4K2K1K500250125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
STEREO GRAPHIC EQ
PHONES
L
R
(MONO)
L
R
1
2
3
4
1
2
RL RL RL RL
SUB 2 SUB 3SUB 1
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
RL
PAN
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
RL
PAN
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
RL
PAN
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL OL OL OL OL
RL
PAN
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
OO
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ EQ EQ EQ EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
AUX
RL
PAN
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
AUX
RL
PAN
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
AUX
RL
PAN
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
AUX
RL
PAN
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
dB
30
20
10
10
OO
40
50
5
5
U
60
dB
30
20
10
10
OO
40
50
5
5
U
60
dB
30
20
10
10
OO
40
50
5
5
U
60
SUB 4
dB
30
20
10
10
OO
40
50
5
5
U
60
CR/PHONES
OO
MAX
2-TRACK RETURN
TAPE
USB OUT
MAIN
LEVEL
U
+15
OO
INT FX
MUTE
SIG/OL
PROFESSIONAL MIC/LINE MIXER WITH FX
FX SEND
FOOTSWITCH
MON SEND
BALANCED BALANCED
AUX RETURN CR OUT SUB OUT
MAIN OUT
IN OUT
TAPE
L
R
dB
30
20
10
10
OO
40
50
5
5
U
60
MAIN
+20
-20
U
MIC
BAL/UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
6
dB
30
20
10
10
OO
40
50
5
5
U
60
6
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL/UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
5
dB
30
20
10
10
OO
40
50
5
5
U
60
5
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL/UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
4
dB
30
20
10
10
OO
40
50
5
5
U
60
4
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL/UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
3
dB
30
20
10
10
OO
40
50
5
5
U
60
3
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL/UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
2
dB
30
20
10
10
OO
40
50
5
5
U
60
2
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL/UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
1
dB
30
20
10
10
OO
40
50
5
5
U
60
1
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
OO
U
+15
OO
U
+15
OO
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz
INSERT
MAIN MIX
MON 1
EQ IN
BYPASS
USBSUB 1-2
13 DELAY 1 (3 00ms)
14 DELAY 2 (3 80 ms )
15 DELAY 3 (4 80 ms )
16 REVERB + DLY (250ms)
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
BREAK
(MUTES ALL CH)
FX FX
TO
MAIN
L-R
FX FX FX FX FX FX FX FX FXFX FXFXFXFXFXFXFX
AMP MODE
CHANNEL 2 CHANNEL 1
BRIDGED
BRIDGED
CH 1
CH 2
CLIP LIMIT
FILTER
SUBSONIC @ 30Hz
PIN
1+
1
PIN
1+
2+
1+
1
PIN
2+
2
PIN
1+
1
SPEAKER OUTPUTS
Use only class 3 wiring
POWER CONSUMPTION
2000 W
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE
FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE,
AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ PAS CET ÉQUIPEMENT À LA
PLUIE OU À L'HUMIDITÉ.
AMP MODE
CHANNEL 2 CHANNEL 1
BRIDGED
BRIDGED
CH 1
CH 2
CLIP LIMIT
FILTER
SUBSONIC @ 30Hz
PIN
1+
1
PIN
1+
2+
1+
1
PIN
2+
2
PIN
1+
1
SPEAKER OUTPUTS
Use only class 3 wiring
POWER CONSUMPTION
2000 W
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE
FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE,
AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ PAS CET ÉQUIPEMENT À LA
PLUIE OU À L'HUMIDITÉ.
AMP MODE
CHANNEL 2 CHANNEL 1
BRIDGED
BRIDGED
CH 1
CH 2
CLIP LIMIT
FILTER
SUBSONIC @ 30Hz
PIN
1+
1
PIN
1+
2+
1+
1
PIN
2+
2
PIN
1+
1
SPEAKER OUTPUTS
Use only class 3 wiring
POWER CONSUMPTION
2000 W
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE
FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE,
AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ PAS CET ÉQUIPEMENT À LA
PLUIE OU À L'HUMIDITÉ.
POWER
500 WATTS
PROGRAM
IMPEDANCE
8 OHMS
S512
2-WAY PASSIVE LOUDSPEAKER
SERIAL NUMBER / REVISION
INPUT THRU
PARALLEL
POWER
500 WATTS
PROGRAM
IMPEDANCE
8 OHMS
S512
2-WAY PASSIVE LOUDSPEAKER
SERIAL NUMBER / REVISION
INPUT THRU
PARALLEL
POWER
600 WATTS
PROGRAM
IMPEDANCE
8 OHMS
S515
2-WAY PASSIVE LOUDSPEAKER
SERIAL NUMBER / REVISION
INPUT THRU
PARALLEL
POWER
600 WATTS
PROGRAM
IMPEDANCE
8 OHMS
S515
2-WAY PASSIVE LOUDSPEAKER
SERIAL NUMBER / REVISION
INPUT THRU
PARALLEL
IMPEDANCE
8 OHMS
S525
2-WAY PASSIVE LOUDSPEAKER
POWER
1200 WATTS
PROGRAM
SERIAL NUMBER / REVISION
INPUT THRU
PARALLEL
IMPEDANCE
8 OHMS
S525
2-WAY PASSIVE LOUDSPEAKER
POWER
1200 WATTS
PROGRAM
SERIAL NUMBER / REVISION
INPUT THRU
PARALLEL
Mackie FRS
Power Amplifier
L / R Line Level Outputs
Mackie FRS Power Amplifier Mackie FRS Power Amplifier
A / B Inputs
Mackie
ProFX22
Mixer
Mackie S512
Passive
Loudspeakers
Mackie S515
Passive
Loudspeakers
Mackie S525
Passive
Loudspeakers
Mackie SP260
Speaker Processor
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