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Peavey StudioPro 40 - Gain Block Instructions; Clean Tone Setup; Distortion Tone Setup

Peavey StudioPro 40
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ROCK
TONE
SETTINGS
NOTE:
THESE
TONE
SETTING
CHARTS
ARE
TO
BE
USED
AS
A
GENERAL
GUIDELINE
THEACTUAL
TONALITY
WHICH
RESULTS
WILL
DEPEND
UPON
THE
INSTRUMENT
USED
AND
YOUR
PARTICULAR
PLAYING
STYLE
AND
TECHNIQUE.
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GAIN
BLOCK
INSTRUCTIONS
The
following
are
two
examples
of
typical
clean
and
distortion
sounds
that
are
available
from
the
Studio
Pro
™
40.
NOTE;
They
are
meant
only
as
a
general
guideline.
For
further
tone/gain
setting
examples
see
the
tone
setting
charts.
A.
Clean
(Country/Jazz
styles)
(1)
Place
the
post
gain
control
between
8
and
10.
(2)
Position
the
Saturation
™
control
to
0
or
use
the
Automix
™
footswitch
to
defeat
the
Saturation
™
circuit.
(3)
Adjust
the
pre
gain
control
to
the
desired
volume
level.
(4)
Adjust
the
low,
mid
and
high/Pull
Thick
controls
to
taste.
(Add
Pull
Bright
if
desired)
(5)
Readjust
pre
gain
if
necessary.
B.
Distortion
(Rock'n'Roll/Rythm
&
Blues)
(1)
Place
the
pre
gain
control
between
5
and
7.
(2)
Place
the
Saturation
™
control
anywhere
in
its
range
from
0
to
10.
(3)
Increase
the
post
gain
control
to
the
desired
volume
level.
NOTE:
DO
NOT
PLACE
THE
POST
GAIN
CONTROL
HIGHER
THAN
IT'S
12
O'CLOCK
OR
#5
POSITION.
(4)
Adjust
the
equalization
section
to
taste
adding
Pull
Thick
if
desired.
(5)
Readjust
the
post
gain,
pre
gain,
and
the
Saturation
™
controls
if
necessary.
THE
BACK
PANEL
PREAMP
OUTPUT/POWER
AMP
INPUT
The
preamp
output
and
power
amp
input
jacks
are
used
for
patching
effects
devices
and
signal
processing
equipment
“in-line"
with
the
Studio
Pro
™
40.
Most
devices
such
as
flangers,
chorus,
tape/analog/digital
delays
or
gain
devices
such
as
distortion
units
can
be
used
within
this
“effects
loop”.
The
preamp
output
level
is
approximately
1
volt
RMS
and
is
of
relatively
low
impedance-600
ohms.
To
utilize
the
effects
loop,
use
a
high
quality
shielded
patch
cord
and
plug
one
end
into
the
preamp
output
and
the
other
end
into
the
external
device
input.
To
return
the
processed
signal
to
the
Studio
Pro
™
40.
use
a
second
high
quality
shielded
patch
cord
and
plug
one
end
into
the
external
unit
output
and
the
other
end
of
the
patch
cord
into
the
power
amp
input.
Since
this
method
of
using
an
effect
places
the
device
after
the
preamp/equalization
and
before
the
power
amp
you
will
have
a
greater
degree
of
control
over
the
sound
quality
of
the
device
or
signal
processing
unit.
The
preamp
output
can
also
be
used
to
send
the
signal
of
the
instrument/preamp
to
mixing
and
recording
consoles.
For
this
method
use
a
high
quality
shielded
patch
cord
and
make
the
connection
from
the
Studio
Pro
™
4
0's
preamp
output
to
the
desired
channel
of
the
mixer
or
to
ah
auxiliary
device
where
the
signal
is
not
to
be
returned
to
the
Studio
Pro
™
40.
With
this
method
of
sending
your
instrument’s
signal
to
a
mixer
or
auxiliary
device,
you
do
not
have
to
utilize
the
power
amp
input
as
the
signal
will
automatically
feed
the
power
amp
section.
LINE
OUTPUT
As
mentioned
above,
the
preamp
output
can
be
used
to
send
the
preamp
signal
to
a
recording/mixing
console,
but
the
mixer
operator
must
then
try
to
duplicate
the
sound
of
the
loudspeaker
at
the
mixer.
Although
this
is
a
useful
method
for
sound
reinforcement
and
the
recording
of
clean
tonalities,
the
results
are
often
less
that
satisfactory
when
using
a
distortion
type
of
sound.
For
best
results
we
recommend
using
the
line
output
of
the
Studio
Pro
™
40.
This
line
output
has
been
frequency
compensated
to
closely
duplicate
the
sound
of
the
loudspeaker
and
you
will
be
able
to
achieve
excellent
results
from
distortion
and
clean
sounds.
As
with
the
preamp
output/power
amp
input
connections,
use
a
high
quality
shielded
cord
to
make
the
connection
from
the
line
output
to
the
mixing/recording
console.
FOOTSWITCH
The
footswitch
jack
is
provided
for
the
connection
of
the
optional
Automix
™
footswitch.
The
footswitch
can
be
used
to
remotely
activate
or
defeat
Saturation
™
and
reverb
functions
of
the
Studio
Pro
™
40.
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