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Signal-to-Noise Ratio | > 100 dB |
---|---|
Frequency Response | 10Hz - 100kHz |
Input Impedance | 47k ohms |
Output Impedance | 0.1Ω |
Inputs | XLR and RCA |
Details the design continuation, emphasis on onboard power supply with transformer and regulation.
Explains the FET amplifier phono stage, active feedback EQ, and optimization for CD/other sources.
Highlights the use of quality ALPS potentiometers and solid-stage analogue switches for tape selection.
Describes the high-tolerance volume control and the function of the balance control for channel gain adjustment.
Explains how source selector chooses inputs and record selector allows recording without interrupting playback.
Details the manual mute switch for interrupting output, advising against high volume in mute mode.
Recommends 24-hour warm-up for optimal sound and advises 50mm airflow clearance, avoiding stacking with other amps.
States all input connections are clearly marked and have a 47k Ohm impedance.
Describes dubbing between two tape decks, including the 'tape lock' feature to prevent feedback.
Notes provision for connection of 2 stereo amplifiers, useful for bi-amping.
Lists output levels (Main Out, Tape Out) and input parameters (impedance, overload, noise, distortion).
Explains that removing covers doesn't void warranty, but advises caution due to voltages. Recommends dealer service.
Suggests using a damp cloth for cleaning dust and fingerprints from the M7's surface.