A one light color correction panel permits adjustment of Color Temperature, Saturation, Contrast,
Brightness, Red Gain, Green Gain and Blue Gain. These parameters match those available in the
RED ONE camera.
Note: The range and resolution of these color correction parameters is greater than those avail-
able in the camera UI. This reflects the need for greater range and precision for the controls in
post-production than for monitoring images during image capture.
RED Alert! reads the metadata recorded for each color correction parameter by the RED ONE
camera. Values can be adjusted by dragging the appropriate slider, or by entering a new numeric
value in its box. Clicking R will reset the value back to its default setting. Clicking M will restore
the recorded metadata value. R ALL or M ALL will affect all parameters, GRADE will revert all val-
ues back to those last used in your color grade.
Presets may be saved in RED Alert! that allow a consistent “look” to be established across multi-
ple clips, or alternative color treatments may be made for the same clip.
Note: Looks may be transferred to the camera by entering RED Alert! values into the UI.
The image may be displayed in a variety of color spaces. For most applications, select RED-
space. For special effects select Linear, and for Digital Intermediates select a Log.
The timeline control plays the selected clip and marks IN and an OUT point, between which the
TIFF or DPX file sequence will be extracted. For QuickTime reference movies the entire clip will
be referenced, as trimming will be performed downstream. If a single frame is to be exported,
press Save 4K or 2K DPX, or 4K or 2K TIFF. If a sequence of frames is desired, press Save Se-
quence 4K or 2K DPX, or 4K or 2K TIFF.
To Next Page
Loading...
Need help?
General
