Roland fp-30 - Page 29

MIDI Implementation
29
70300: Rotary Multi
This is an eect combining the VK series internal eect with an organ eect with
the same features.
It comprises vibrato/chorus, overdrive, and rotary eects.
No Parameter Value Description
1
Vib/Cho
Switch
0–1 O, On
Switches the vibrato and
chorus eects
2 Vib/Cho Type 0–5
V-1, V-2, V-3,
C-1, C-2, C-3
Vibrato and chorus eect
types
V-1, V-2, V-3: Adds a wavering
(vibrato) that is created by
changes in the pitch. The
eect deepens as the value is
increased
C-1, C-2, C-3: Adds a fullness
and breadth (chorus) to the
sound. The eect deepens as
the value is increased.
3
Vib/Cho
Vintage
0–2 `50, `60, `70
This reproduces the subtle
dierences in the vibrato and
chorus eects in organs built
in dierent years.
4
Vib/Cho
Level
0–127 0 –127 Vibrato/chorus eect volume
5 OD Switch 0–1 O, On Switches the overdrive eect
6 OD Drive #2 0 –127 0–127 Amount of distortion
7 OD Level 0–127 0–127 Overdrive eect volume
8
Rotary
Switch
0–1 O, On Switches the rotary eect
9
Rotary Speed
#1
0–1 Slow, Fast
Low- and high-frequency
rotation speeds (Rate)
Slow: (Slow Rate)
Fast: (Fast Rate)
10 R-Wf Slow Sp 1–127
0.05–10.00
Hz
Rate with low-frequency rotor
set to Slow rate
11 R-Wf Fast Sp 1–127
0.05–10.00
Hz
Rate with low-frequency rotor
set to Fast rate
12 R-Wf Accel 0–15 0 –15
Speed at which the
low-frequency rotor’s rotation
rate changes when the
rotation speed is switched
13 R-Wf Level 0–127 0–127 Low-frequency rotor volume
14 R-Tw Slow Sp 1–127
0.05–10.00
Hz
High-frequency rotor setting
This parameter is the same as
that for the low-frequency
rotor.
15 R-Tw Fast Sp 1–127
0.05–10.00
Hz
16 R-Tw Accel 0–15 0–15
17 R-Tw Level 0–127 0–127
18
Rotary
Separat
0–127 0 –127
Amount of breadth in the
sound
19 Rotary Level 0–127 0 –127 Output volume
7015b: Stereo Delay1
This is a stereo delay.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
eect is synchronized with
the tempo.
2 Delay Left 0 –127 1–1270 ms
Adjusts the time until the
delay sound is heard. (Hz)
3 Delay Left 0–21 note
Adjusts the time until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5 Delay Right 0–127 1–1270 ms
6 Delay Right 0–21 note
7 Phase Left 0–1
Normal,
Inverse
Phase of the delay sound
8 Phase Right 0–1
No Parameter Value Description
9
Feedback
Mode
0–1
Normal,
Cross
Selects the way in which delay
sound is fed back into the
eect.
10 Feedback #1 49–89 0–+80 %
Adjusts the amount of the
delay sound that’s fed back
into the eect.
11 HF Damp 0 –17
200–8000
Hz, Bypass
Adjusts the frequency above
which sound fed back to the
eect is ltered out. If you
don’t want to lter out any
high frequencies, set this
parameter to Bypass.
12 Low Gain 0–30 -15–+15 dB
Gain of the low frequency
range
13 High Gain 0–30 -15–+15 dB
Gain of the high frequency
range
14 Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
15 Level 0 –127 0 –127 Output level
7015c: Stereo Delay2
This is a stereo delay.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
eect is synchronized with
the tempo.
2 Delay Left 0 –127 1–1270 ms
Adjusts the time until the
delay sound is heard. (Hz)
3 Delay Left 0–21 note
Adjusts the time until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5 Delay Right 0–127 1–1270 ms
6 Delay Right 0–21 note
7 Phase Left 0–1
Normal,
Inverse
Phase of the delay sound
8 Phase Right 0–1
9
Feedback
Mode
0–1
Normal,
Cross
Selects the way in which delay
sound is fed back into the
eect.
10 Feedback #1 49–89 0–+80 %
Adjusts the amount of the
delay sound that’s fed back
into the eect.
11 HF Damp 0 –17
200–8000
Hz, Bypass
Adjusts the frequency above
which sound fed back to the
eect is ltered out. If you
don’t want to lter out any
high frequencies, set this
parameter to Bypass.
12 Low Gain 0–30 -15–+15 dB
Gain of the low frequency
range
13 High Gain 0–30 -15–+15 dB
Gain of the high frequency
range
14 Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
15 Level 0 –127 0 –127 Output level