Roland fp-30 - Page 32

MIDI Implementation
32
70157: 3D Delay
This applies a 3D eect to the delay sound. The delay sound will be positioned 90
degrees left and 90 degrees right.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
eect is synchronized with
the tempo.
2 Delay Left 0 –127 1–2540 ms
Adjusts the delay time from
the direct sound until the
delay sound is heard. (Hz)
3 Delay Left 0–21 note
Adjusts the delay time from
the direct sound until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5 Delay Right 0–127 1–2540 ms
6 Delay Right 0–21 note
7
Delay Center
Mode
0–1 ms, note
Settings of the Delay Center
The parameters are the same
as for the Delay Left.
8 Delay Center 0–127 1–2540 ms
9 Delay Center 0–21 note
10
Center
Feedback #1
49–89 0–+80 %
Adjusts the proportion of the
delay sound that is fed back
into the eect.
11 HF Damp 0 –17
200–8000
Hz, Bypass
Adjusts the frequency above
which sound fed back to the
eect will be cut. If you do not
want to cut the high
frequencies, set this
parameter to Bypass.
12 Left Level 0–127
0–127
Output level of the delay
sound
13 Right Level 0 –127
14 Center Level 0–127
15 Output Mode 0–1
Speaker,
Phones
Adjusts the method that will
be used to hear the sound
that is output to the Output
jacks. The optimal 3D eect
will be achieved if you select
Speaker when using speakers,
or Phones when using
headphones.
16 Low Gain 0–30 -15–+15 dB Gain of the low range
17 High Gain 0–30 -15–+15 dB Gain of the high range
18 Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the
eect sound (W)
19 Level 0 –127 0–127 Output Level
70159: Tape Echo
A virtual tape echo that produces a realistic tape delay sound. This simulates the
tape echo section of a Roland RE-201 Space Echo.
No Parameter Value Description
1 Mode 0–6
S, M, L, S+M,
S+L, M+L,
S+M+L
Combination of playback
heads to use
Select from three dierent
heads with dierent delay
times.
S: short
M: middle
L: long
2
Repeat Rate
#1
0–127 0 –127
Tape speed
Increasing this value will
shorten the spacing of the
delayed sounds.
3 Intensity 0–127 0–127 Amount of delay repeats
4 Bass 0–30 -15–+15 dB
Boost/cut for the lower range
of the echo sound
5 Treble 0–30 -15–+15 dB
Boost/cut for the upper range
of the echo sound
No Parameter Value Description
6 Head S Pan 0–127
L64–63R
Independent panning for the
short, middle, and long
playback heads
7 Head M Pan 0–127
8 Head L Pan 0–127
9
Tape
Distortion
0–5 0–5
Amount of tape-dependent
distortion to be added
This simulates the slight tonal
changes that can be detected
by signal-analysis equipment.
Increasing this value will
increase the distortion.
10
Wow/Flutter
Rate
0–127 0 –127
Speed of wow/utter
(complex variation in pitch
caused by tape wear and
rotational irregularity)
11
Wow/Flutter
Depth
0–127 0 –127 Depth of wow/utter
12 Echo Level #2 0–127 0–127 Volume of the echo sound
13 Direct Level 0 –127 0–127 Volume of the original sound
14 Level 0 –127 0 –127 Output level
7015a: Reverse Delay
This is a reverse delay that adds a reversed and delayed sound to the input sound. A
tap delay is connected immediately after the reverse delay.
No Parameter Value Description
1 Threshold 0–127 0–127
Volume at which the reverse
delay will begin to be applied
2
Rev Delay
Mode
0–1 ms, note
When this is set to “note,” the
eect is synchronized with
the tempo.
3
Rev Delay
Time #1
0–127 1–1270 ms
Delay time from when sound
is input into the reverse delay
until the delay sound is heard
(Hz)
4
Rev Delay
Time
0–21 note
Delay time from when sound
is input into the reverse delay
until the delay sound is heard
(note)
5
Rev Delay
Feedback
49–89 0–+80 %
Proportion of the delay sound
that is to be returned to the
input of the reverse delay
6
Rev Delay HF
Damp
0–17
200–8000
Hz, Bypass
Frequency at which the
high-frequency content of the
reverse-delayed sound will be
cut (Bypass: no cut)
7
Rev Delay
Pan
0–127 L64–63R
Panning of the reverse delay
sound
8
Rev Delay
Level
0–127 0 –127
Volume of the reverse delay
sound
9 Low Gain 0–30 -15–+15 dB
Amount of boost/cut for the
low-frequency range
10 High Gain 0–30 -15–+15 dB
Amount of boost/cut for the
high-frequency range
11 Balance #2 0–100
D100:0W–
D0:100W
Volume balance of the
original sound (D) and the
delay sound (W)
12 Level 0–127 0–127 Output volume