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Roland GR-1 - Page 64

Roland GR-1
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a
@
individual
String
Note.
Shifting
in
Action
!
Here
are
some
practical
examples
of
effecis
you
can
get
using
individual
string
Note
Shifts.
Example
1)
Two-Handed
Keyboard-Type
"Feel"
Drop
the
fifth
and
sixth
strings
down
one
octave,
as
shown
below.
This
will
let
you
play
the
and
sixth
strings
in
the
same
range
as
a
left-hand
piano
part.
while
the
first
through
fourth
strings
play
the
chord
parts
in
the
right-hand
range.
Also,
turn
Chromatic
on
(=r
P.
4-1810
keep
the
pitch
from
drifting
(bending
the
strings
will
have
no
effect
on
the
pitch).
This
will
help
give
the
sound
more
of
a
keyboard
"
sixth
|
fitth
[fourth
|
third
[second]
first
-i2|-12]
96
o o
+
0
*x
jx
djs
js
|
*
|
>
ist
tons
2nd
tone
ERTS
NSISTA
ATTESTED
TERRA
Example
2)
Special
Guitar
Tunings
at
the
Press
of
a
Pedal
SS
PE
SREP
YER
ESET
AW
ie
OETA
HBAS
LESSER
ESHEETS
One
example
of
a
special
guitar
tuning
is
the
"open
tuning.”
Create
a
Patch
using
a
guitar-based
§
synth
sound
and
the
Note
Shift
set
up
as
in
one
of
the
tables
below,
Then,
while
playing
a
Patch
that
8
uses
standard
tuning,
just
call
up
this
Patch
to
get
the
effect
of
playing
in
an
open
tuning
5
if
you
f
had
just
retuned
your
guitar
with
the
press
of
a
pedal!
When
you
do
this,
however,
be
sure
the
GK
-
2
is
set
to
"SYNTH."
You
will
not
want
the
straight
guitar
sound
to
be
heard
at
the
same
time.
Open
G
Tuning
third
jsecond
Ewewp-zl
r9
[oo
[2]
Exin
s
|
s
[7
1s ps 15
*
Or,
you
could
just
Mute
the
sixth
string
in
String
mode.
Open
D
Tuning
FE
ee
ee
fencer]
+
[ete
ts
tata
Example
3)
12-String
Guitar
Tuning
With
a
Patch
like
thi
oU
can
make
a
regular
sis-string
guitar
sound
a
Petr
a
d2string.
Depending
on
the
Patch
you
select.
you
could
make
it
sound
li
or
even
make
up
a
wild
Patch
of
your
own
that
sounds
like
no
rument
on
Earth!
Both
Tones
uld
he
Detuned
slightly
for
the
best
result
(Section
4.
“4.
A
Litle
More
Defail
About
E.
sixth
Lr
me
EN
first
ist
tone
0
0
2ndione|
12
x
2
E
i
S
a
TS
CTE
I
EEEREN
ting
Ist/2nd
Tone
Setin
|
2
a
Ücesexerstuamcantte
tenner
SEARS
Ode
Ter
toC
ee
ee

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